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Fashion designer

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1 cm 7605 cm

1 cm 2312 cm

0 cm 5552 cm

1 cm 296 cm

5 cm 249 cm
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Zanotta Cumano Table Metal Italy 1970s
MOTATA0183573

Zanotta Cumano Table Metal Italy 1970s

MOTATA0183573
Zanotta Cumano Table Metal Italy 1970s

Foldable table; enameled metal.

video
Throne Late Mannerism Walnut Italy XVII Century
ANMOAL0185854

Throne Late Mannerism Walnut Italy XVII Century

Northern Veneto, Early XVII Century

ANMOAL0185854
Throne Late Mannerism Walnut Italy XVII Century

Northern Veneto, Early XVII Century

Late Mannerist chair in carved and burin decorated walnut, Upper Veneto, early 17th century. Back with upper band decorated with frets and a group of 4 applied rosettes, lateral pilaster strips with Ionic capitals enclosing the central section with a series of carved letters "RPFBCS FFHC". Seat with armrests ending in curls, sides with panels, carved apron. Equipped with a non-coeval removable cushion.

Architecture Glimpse V. Codazzi Attr. Oil on Canvas Italy XVII Century
ARARPI0184973

Architecture Glimpse V. Codazzi Attr. Oil on Canvas Italy XVII Century

ARARPI0184973
Architecture Glimpse V. Codazzi Attr. Oil on Canvas Italy XVII Century

Oil on canvas. A large architectural structure, imposing in its classicism, with tall twisted columns and elaborate Corinthian-style capitals, dominates a gentle and nuanced lake landscape, which teems with the daily activity of small figures of wayfarers, fishermen, and commoners, well described in their peculiarity. The painting is close to the manners of Viviano Codazzi (1604 -1670) to which it was traditionally attributed. Originally from Bergamo but then active in Rome and Naples, Codazzi was a famous painter of perspectives, considered by many to be the inventor of the view and of the architectural whim. Also close to the Bamboccianti genre, he distinguished himself for the descriptive care of the various protagonists, their gestures, their clothing, care indicating a vision and a study from life of everyday life, read and interpreted without literary filters but with marked naturalism. Restored and relined, the painting is presented in a coeval frame.

Artemide Sigma Lamps Glass Italy 1960s
MOILIL0184795

Artemide Sigma Lamps Glass Italy 1960s

MOILIL0184795
Artemide Sigma Lamps Glass Italy 1960s

Pair of wall/ceiling lamps; metal and aluminum, glass.

Cupboard Charles X Walnut France XIX Century
ANMOCR0184230

Cupboard Charles X Walnut France XIX Century

France, Second Quarter XIX Century

ANMOCR0184230
Cupboard Charles X Walnut France XIX Century

France, Second Quarter XIX Century

Charles X cupboard in walnut, France second quarter of the 19th century. Front with drawer in the band and pair of paneled doors; decorated with carvings. Walnut and poplar interior.

Console Brass Italy 1970s
MOTATA0184813

Console Brass Italy 1970s

MOTATA0184813
Console Brass Italy 1970s

Console; structure in brass and chromed brass, top in smoked glass.

Small Ancient Chest Walnut Italy XVIII Century
ANMOAL0185832

Small Ancient Chest Walnut Italy XVIII Century

Italy, Early XVIII Century

ANMOAL0185832
Small Ancient Chest Walnut Italy XVIII Century

Italy, Early XVIII Century

Small chest in walnut and fir, Italy, early 18th century. Indented band under the top, front and sides with paneling placed within frames, wavy feet. Restorations.

Kaskay Carpet Wool Fine Knot Iran XX Century
ANCOTA0183979

Kaskay Carpet Wool Fine Knot Iran XX Century

77x53 In

ANCOTA0183979
Kaskay Carpet Wool Fine Knot Iran XX Century

77x53 In

Kaskay carpet in wool; fine knot. Handmade.

Kazak Carpet Wool Fine Knot Turkey XX Century
ANCOTA0183983

Kazak Carpet Wool Fine Knot Turkey XX Century

92x48 In

ANCOTA0183983
Kazak Carpet Wool Fine Knot Turkey XX Century

92x48 In

Kazak carpet in wool; fine knot. Handmade.

Vintage Scarf Must de Cartier Silk France
ABVI1P0185227

Vintage Scarf Must de Cartier Silk France

ABVI1P0185227
Vintage Scarf Must de Cartier Silk France

Pure silk scarf signed Must de Cartier, with oink and gold necklace on a pearl gray background.

Leonards Top Hat and Hatbox Felt United Kingdom 1910s-1920s
ABVI1A0184527

Leonards Top Hat and Hatbox Felt United Kingdom 1910s-1920s

23 In

ABVI1A0184527
Leonards Top Hat and Hatbox Felt United Kingdom 1910s-1920s

23 In

Top hat in black felt from the early 1900s by Leonards, an important hat manufacturer in London. The conditions are very good, it has only a small seam under the brim, circumference 58 cm. The original box, handcrafted in leather, is hand-stitched and lined in velvet. It haas signs of wear from time and travel, but remains in good condition as an exhibit or prop.

Vintage Sciolari Lamp Glass Italy 1970s-1980s
MOILIL0183993

Vintage Sciolari Lamp Glass Italy 1970s-1980s

MOILIL0183993
Vintage Sciolari Lamp Glass Italy 1970s-1980s

Ceiling lamp, possibility of double switching; structure in chromed brass, glass.

Antique Painting J. Jordaens Attr. Oil on Canvas XVII Century
ARARPI0183431

Antique Painting J. Jordaens Attr. Oil on Canvas XVII Century

"L'arc en ciel" XVII Century

ARARPI0183431
Antique Painting J. Jordaens Attr. Oil on Canvas XVII Century

"L'arc en ciel" XVII Century

Oil painting on canvas. Northern European school of the seventeenth century. The large pastoral scene presents a broad landscape that pushes the gaze to the distant sea coast; on it the sky is gradually opening up, revealing flashes of blue on the left, while on the right, among the darker clouds left over from the storm, a large rainbow is revealed. In the foreground, a group of shepherds and shepherdesses enjoy amorous games, discrete and festive, in the midst of their herds, which rest and drink from the nearby stream. The whole scene is animated by a dimension of joyful relaxation and refreshment, as if the rainbow had restored serenity to the environment, bringing light and with it serenity to the world. The attribution to Jordaens is linked both to the typology of subject, the pastoral one, a recurring theme in the production of the Flemish artist, and to the pictorial modalities: in this work we find his warm and luminous colours, the strong contrasts of light and shadow, the robust figures with red and healthy faces, sometimes with satyristic features, the compositions full of figures that give an air of sensual vitality. Restored and relined, the painting is presented in a period gilded frame.

Centerpiece Silver Germany XIX-XX Century
OGANOG0185995

Centerpiece Silver Germany XIX-XX Century

Germany Late '800 - Early '900

OGANOG0185995
Centerpiece Silver Germany XIX-XX Century

Germany Late '800 - Early '900

Centerpiece in embossed silver with leafy scrolls and plant motifs. Perforated top edge. Hallmarks of silver and provenance engraved. Grams 1210.

Pair of Bedside Tables Burl Veneer Italy 1950s-1960s
MOMOMO0184531

Pair of Bedside Tables Burl Veneer Italy 1950s-1960s

MOMOMO0184531
Pair of Bedside Tables Burl Veneer Italy 1950s-1960s

Pair of bedside tables with hinged doors. Burl veneered wood, back-treated glass top, brass. In good condition.

Chest of Drawers Burl Veneer Italy 1950s-1960s
MOMOMO0184551

Chest of Drawers Burl Veneer Italy 1950s-1960s

MOMOMO0184551
Chest of Drawers Burl Veneer Italy 1950s-1960s

Chest of drawers. Burl veneered wood, back-treated glass top, brass. In good condition.

Bronze Stand Clock
OGANOG0185074

Bronze Stand Clock

France Second half of the 19th century

OGANOG0185074
Bronze Stand Clock

France Second half of the 19th century

Bronze standing clock with gilded and chiseled parts. The rectangular base is supported by four feet and the two fronts have leafy scrolls; in the center scene with crouching lion and putto. The clock features an exhibition with Roman numeral hours and is surmounted by a winged figure with a bow and arrow. Mechanism marked Pickard 1870.

R. De Grada Oil on Canvas Italy XX Century
ARARNO0183629

R. De Grada Oil on Canvas Italy XX Century

Campo di Sopra Cortina d'Ampezzo

ARARNO0183629
R. De Grada Oil on Canvas Italy XX Century

Campo di Sopra Cortina d'Ampezzo

Oil on canvas. Signed lower right. The title on the back on the frame. At the origin of the painting of Raffaele De Grada, who loved nature, was above all a landscape painter, we can find the lesson of Cézanne, above all in the reconstruction of the landscape "modern, almost geometric, but always linked to nature and the state of mind ”. After the 1920s his painting moved towards the search for essential and decisive colours, which characterize his works, rigorous in content, with more melancholy and twilight atmospheres. The work is presented in a frame.

Ceramic Sculpture by G. Cacciapuoti Italy 1940s-1950s
OGANCE0184899

Ceramic Sculpture by G. Cacciapuoti Italy 1940s-1950s

Italy, 1940s-1950s

OGANCE0184899
Ceramic Sculpture by G. Cacciapuoti Italy 1940s-1950s

Italy, 1940s-1950s

Ceramic sculpture decorated with polychrome enamels and gold depicting a lady with a cello. Manufacturer's brand under the base.

Sergio Mazza 'Clio' lamp for Artemide 1960s
MOILIL0184794

Sergio Mazza 'Clio' lamp for Artemide 1960s

MOILIL0184794
Sergio Mazza 'Clio' lamp for Artemide 1960s

Wall lamp; metal and aluminum, glass.

F. Fedeli Mixed Technique on Hardboard Italy 1971
ARARCO0185159

F. Fedeli Mixed Technique on Hardboard Italy 1971

Material Contrast 1971

ARARCO0185159
F. Fedeli Mixed Technique on Hardboard Italy 1971

Material Contrast 1971

Mixed technique on board. Signed and dated lower centre. On the back there is a further signature, the title with the numbering 1/4 and the stamp and label of "Galleria dei Mille"in Milan. Francesco Fedeli was a draftsman and painter. If in the production of drawings his war correspondence stands out, in particular from the Russian front where he documented the life of the soldiers and the drama and sufferings of the Russian population with drawings that appeared in the main Italian newspapers and magazines, subsequently his painting turned towards abstract compositions, such as this one presented here.

Tecno E22 Bookcase Painted Wood Italy 1980s
MOMOLI0184573

Tecno E22 Bookcase Painted Wood Italy 1980s

MOMOLI0184573
Tecno E22 Bookcase Painted Wood Italy 1980s

Wall bookcase with uprights to be fixed to the wall, with container compartments and adjustable shelves; painted wood, aluminum.

The Virgin Mary and Jesus Child Oil on Canvas Italy XVII Century
ARARPI0183428

The Virgin Mary and Jesus Child Oil on Canvas Italy XVII Century

ARARPI0183428
The Virgin Mary and Jesus Child Oil on Canvas Italy XVII Century

Oil on canvas. Emilian school of the seventeenth century. The work is an ancient replica of the altarpiece executed on wood by Girolamo Mazzola Bedoli (1500 -1569) for the church of San Sepolcro in Parma., commissioned in 1556. The seated Virgin holds Jesus on her knees, but she also affectionately rests her right hand on the shoulders of San Giovannino; he is handing his cousin his stick surmounted by the Cross and meanwhile in turn rests his left hand on the shoulder of the angel next to him, to create a continuum between the figures, gathered and connected to each other. The scene above is completed by two other large angels who are intent on picking fruit from the branches that surround the scene. All gazes converge in the centre, towards Jesus. The whole scene is characterized by the movement of the figures, by their intersecting and crossing each other, and by the chromatic and light effects, which increase the vitality of the work. Restored and relined, the painting has a marked crack and small drops of color. It is proposed in an antique frame, also with small drops in the gilding.

Table Walnut Veneer Italy 1950s
MOTATA0161683

Table Walnut Veneer Italy 1950s

MOTATA0161683
Table Walnut Veneer Italy 1950s

Table; walnut veneered wooden base, marble top.