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1 cm 7605 cm

1 cm 2312 cm

0 cm 5552 cm

1 cm 296 cm

5 cm 249 cm
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Vintage 1950s-60s Dresser Exotic Wood Brass Italy
MOMOMO0232572

Vintage 1950s-60s Dresser Exotic Wood Brass Italy

MOMOMO0232572
Vintage 1950s-60s Dresser Exotic Wood Brass Italy

Dresser with drawers, open glass shelves, retro-treated glass on the top, exotic wood veneer, brass ferrules.

Pair of Vintage 1960s Bedside Tables Exotic Wood Italy
MOMOMO0232093

Pair of Vintage 1960s Bedside Tables Exotic Wood Italy

MOMOMO0232093
Pair of Vintage 1960s Bedside Tables Exotic Wood Italy

Pair of bedside tables with flap opening, one of which has reduced internal depth. Exotic wood veneer.

Vintage Evening Bag Bottega Lucia Beoni Tiger Metal Beads
ABVI1A0225839

Vintage Evening Bag Bottega Lucia Beoni Tiger Metal Beads

ABVI1A0225839
Vintage Evening Bag Bottega Lucia Beoni Tiger Metal Beads

Metal evening bag with tiger face shape. It is studded on the outside with hand-placed rhinestones, has an elegant chain shoulder strap and is lined internally with tassel. It is signed by Beoni Lucia, a Florentine artisan business. The conditions are very good, except for a small part where the rhinestones have come off.

Vintage 1980s Hermès Scarf J. Abadie Pure Silk France
ABVI1P0233253

Vintage 1980s Hermès Scarf J. Abadie Pure Silk France

ABVI1P0233253
Vintage 1980s Hermès Scarf J. Abadie Pure Silk France

Pure silk scarf by Hermès entitled Brins d'Or, designed by Julia Abadie in 1982. The background is black and the design in bright colors of golden yellow, red and green. The condition is very good, it has been worn very little.

Vintage 1970s-80s Chairs Foam Leatherette Italy
MOSESE0232411

Vintage 1970s-80s Chairs Foam Leatherette Italy

MOSESE0232411
Vintage 1970s-80s Chairs Foam Leatherette Italy

Group of 4 chairs in stained beech wood, the seat has foam padding and the covering is in leatherette.

Antique 6 Lights Chandelier Metal Glass Italy XX Century
ANILLA0232115

Antique 6 Lights Chandelier Metal Glass Italy XX Century

Italy, XX Century

ANILLA0232115
Antique 6 Lights Chandelier Metal Glass Italy XX Century

Italy, XX Century

Six-light chandelier with metal structure, adorned with glass pendants and necklaces.

Vintage 1970s Gucci Belt Blue Suede Leather Italy
ABVI1P0234053

Vintage 1970s Gucci Belt Blue Suede Leather Italy

ABVI1P0234053
Vintage 1970s Gucci Belt Blue Suede Leather Italy

Belt signed Gucci from the 70s in almost perfect condition. The leather is midnight blue suede, the buckle is in gold metal.

Antique Doily Filet Stitch Cotton Italy XX Century
ABBIPR0232229

Antique Doily Filet Stitch Cotton Italy XX Century

ABBIPR0232229
Antique Doily Filet Stitch Cotton Italy XX Century

Filet stitch doily In good condition Cream white color Rectangular shape Dimensions 101 cm x 45 cm

Antique Cachepot Decorated Porcelain China XX Century
OGANCE0233607

Antique Cachepot Decorated Porcelain China XX Century

China, XX-XXI Century

OGANCE0233607
Antique Cachepot Decorated Porcelain China XX Century

China, XX-XXI Century

Porcelain cachepot with vegetal motif decorations, heraldic coats of arms and cherubs. Inside, fish and aquatic vegetation. Under the base brand in red.

Second Hand Hermès Ballerina Shoes White Leather UK Size 7 France
ABACES0233197

Second Hand Hermès Ballerina Shoes White Leather UK Size 7 France

UK Size 7

ABACES0233197
Second Hand Hermès Ballerina Shoes White Leather UK Size 7 France

UK Size 7

Pointed toe ballet flats in white leather with a beautiful brogue workmanship. Detail of leather cord with tassels. The item has never been worn, in fact the sole and leather show no signs of wear.

Antique Tablecloth with 12 Napkins Linen Italy XX Century
ABBIPR0232261

Antique Tablecloth with 12 Napkins Linen Italy XX Century

ABBIPR0232261
Antique Tablecloth with 12 Napkins Linen Italy XX Century

Elegant tablecloth complete with twelve napkins in fine Flanders linen fabric with matt shiny floral decorations Rectangular shape Excellent condition Ivory white color Composition Flanders linen Dimensions Tablecloth 292 cm x 272 cm Napkins 41 cm x 41 cm

Second Hand Prada Bag Nylon Leather Italy
ABACES0233233

Second Hand Prada Bag Nylon Leather Italy

ABACES0233233
Second Hand Prada Bag Nylon Leather Italy

Shoulder bag in sail fabric, typical of the accessories of the Milanese fashion house. The interior is lined and structured with two compartments and two zipped pockets. Leather handles. The item is in very good condition and comes with a certificate of authenticity.

Vintage Bag G. Ferré Black Crocodile Printed Leather Italy 80s-90s
ABVI1P0233169

Vintage Bag G. Ferré Black Crocodile Printed Leather Italy 80s-90s

ABVI1P0233169
Vintage Bag G. Ferré Black Crocodile Printed Leather Italy 80s-90s

Shoulder bag by Ferré in black leather with crocodile print details. Postman closure, canvas interior with pocket.

Modern Painting P. Carena Oil on Canvas Landscape Italy 1974
ARARNO0233213

Modern Painting P. Carena Oil on Canvas Landscape Italy 1974

L'ora delle Messi, 1974

ARARNO0233213
Modern Painting P. Carena Oil on Canvas Landscape Italy 1974

L'ora delle Messi, 1974

Oil painting on canvas. Signed and dated lower left. The painting, coming from a private collection in Pavia, is published on page 74 of Simona Morani's monograph dedicated to the artist Primo Carena (Bolis editions), with the presentation signed by the art critic Rossana Bossaglia. The hilly landscape well expresses the subdued intimacy associated with the rigorous realism that characterize the pictorial production of the painter from Pavia. In his landscapes Carena tends "to capture the atmospheric reality of the places without indulging in descriptivism... but constantly supported by a lyrical vein, which is the underlying motif of all his production". The work is presented in a period frame

Modern Painting P. Carena Oil on Cardboard Italy XX Century
ARARNO0233212

Modern Painting P. Carena Oil on Cardboard Italy XX Century

Controluce collinare, 1960

ARARNO0233212
Modern Painting P. Carena Oil on Cardboard Italy XX Century

Controluce collinare, 1960

Oil on cardboard. Signed and dated lower right. The painting, coming from a private collection in Pavia, is published on page 70 of Simona Morani's monograph dedicated to the artist Primo Carena (Bolis editions), with the presentation signed by the art critic Rossana Bossaglia. On the back there is a stamp of participation of the work in the artist's personal exhibition at the Castello Visconteo in Pavia in 1992. The landscape, a stretch of countryside with a backdrop of hills, well expresses the subdued intimacy associated with the rigorous realism that characterizes the production painting by the painter from Pavia. In his landscapes Carena tends "to capture the atmospheric reality of the places without indulging in descriptivism... but constantly supported by a lyrical vein, which is the underlying motif of all his production". The work is presented in a period frame.

Modern Painting P. Carena Oil on Canvas Italy 1941
ARARNO0233211

Modern Painting P. Carena Oil on Canvas Italy 1941

Via di paese, 1941

ARARNO0233211
Modern Painting P. Carena Oil on Canvas Italy 1941

Via di paese, 1941

Oil painting on canvas. Signed and dated lower right. The painting, coming from a private collection in Pavia, is published on page 59 of Simona Morani's monograph dedicated to the artist Primo Carena (Bolis editions), with the presentation signed by the art critic Rossana Bossaglia. The view of the town well expresses the subdued intimacy associated with the rigorous realism that characterize the pictorial production of the painter from Pavia. In his landscapes Carena tends "to capture the atmospheric reality of the places without indulging in descriptivism... but constantly supported by a lyrical vein, which is the underlying motif of all his production". The work is presented in a period frame.

Modern Painting by P. Carena Oil on Canvas Italy 1978
ARARNO0233209

Modern Painting by P. Carena Oil on Canvas Italy 1978

Trees in the Snow, 1978

ARARNO0233209
Modern Painting by P. Carena Oil on Canvas Italy 1978

Trees in the Snow, 1978

Oil painting on canvas. Signed and dated lower right. The painting, coming from a private collection in Pavia, is published on page 73 of Simona Morani's monograph dedicated to the artist Primo Carena (Bolis editions), with the presentation signed by the art critic Rossana Bossaglia. The lake landscape well expresses the subdued intimacy associated with the rigorous realism that characterize the pictorial production of the painter from Pavia. In his landscapes Carena tends "to capture the atmospheric reality of the places without indulging in descriptivism... but constantly supported by a lyrical vein, which is the underlying motif of all his production". The work is presented in a style frame. It is published on page 75 of Simona Morani's monograph dedicated to the artist Primo Carena (Bolis editions), with the presentation signed by the art critic Rossana Bossaglia. The landscape well expresses the subdued intimacy associated with the rigorous realism that characterize the pictorial production of the painter from Pavia. In his landscapes Carena tends "to capture the atmospheric reality of the places without indulging in descriptivism... but constantly supported by a lyrical vein, which is the underlying motif of all his production". The work is presented in a period frame.

Modern Painting by P. Carena Oil on Canvas Italy 1950s-60s
ARARNO0233205

Modern Painting by P. Carena Oil on Canvas Italy 1950s-60s

San Pietro in Verzolo

ARARNO0233205
Modern Painting by P. Carena Oil on Canvas Italy 1950s-60s

San Pietro in Verzolo

Oil painting on canvas. Signed lower right. The painting, coming from a private collection in Pavia, is published on page 70 of Simona Morani's monograph dedicated to the artist Primo Carena (Bolis editions), with the presentation signed by the art critic Rossana Bossaglia. On the back there is a stamp of participation of the work in the artist's personal exhibition at the Castello Visconteo in Pavia in 1992. The landscape, a stretch of countryside with a backdrop of hills, well expresses the subdued intimacy associated with the rigorous realism that characterizes the production pictorial work by the painter from Pavia. In his landscapes Carena tends "to capture the atmospheric reality of the places without indulging in descriptivism... but constantly supported by a lyrical vein, which is the underlying motif of all his production". The work is presented in a period frame. on page 66 of Simona Morani's monograph dedicated to the artist Primo Carena (Bolis editions), with the presentation signed by the art critic Rossana Bossaglia. On the back there is a stamp of participation of the work in the artist's personal exhibition at the Castello Visconteo in Pavia in 1992. The view of the small village on the outskirts of Pavia, seen from the countryside, well expresses the subdued intimacy associated with the rigorous realism that characterizes the production pictorial work by the painter from Pavia. In his landscapes Carena tends" to capture the atmospheric reality of the places without indulging in descriptivism... but constantly supported by a lyrical vein, which is the underlying motif of all his production". The work is presented in a period frame.

Antique Plate Trompe l'Oeil Cards Porcelain France XIX Century
OGANCE0230221

Antique Plate Trompe l'Oeil Cards Porcelain France XIX Century

France, Late XIX Century

OGANCE0230221
Antique Plate Trompe l'Oeil Cards Porcelain France XIX Century

France, Late XIX Century

Porcelain plate painted in polychrome with a trompe l'oeil theme of playing cards on a light blue and blue background. Manufacture mark on the reverse,

Pair of Antique Jugs Meissen Porcelain Germany XX Century
OGANCE0230016

Pair of Antique Jugs Meissen Porcelain Germany XX Century

Germany, XX Century

OGANCE0230016
Pair of Antique Jugs Meissen Porcelain Germany XX Century

Germany, XX Century

Two Meissen porcelain jugs with "onion decoration". The "Zwiebelmuster" or "Blue Onion", commonly known by us as the "Onion Decoration", has become somewhat of a symbol of the Meissen Manufacture over the centuries. It is painted in cobalt blue below deck and depicts highly stylized flowers, trees and fruit. The oldest piece made in Meissen with this decoration, inspired by a Chinese drawing from the Kangxi era, is dated 1739 and was painted directly by Hoeroldt. There are stylized peonies, Japanese peaches, asters and pomegranates that develop sinuously around a bamboo cane. Each of these elements has a precise meaning in oriental symbolism. They represent: longevity (bamboo), good luck (peony), cheerfulness (aster), immortality (peach) and fertility (pomegranate).

Antique Tureen Ceramic Plate Northern Europe XX Century
OGANCE0221783

Antique Tureen Ceramic Plate Northern Europe XX Century

Northern Europe, First Half XX Century

OGANCE0221783
Antique Tureen Ceramic Plate Northern Europe XX Century

Northern Europe, First Half XX Century

Tureen and plate decorated in polychrome with hunting scenes and oriental-style gold motifs. Wavy edge.

Painting by Giuseppe Pogna
ARAROT0232643

Painting by Giuseppe Pogna

Glimpse of the Venetian Lagoon with Boats

ARAROT0232643
Painting by Giuseppe Pogna

Glimpse of the Venetian Lagoon with Boats

Oil painting on canvas. Signed lower left. The Trieste painter Giuseppe Pogna dedicated himself mainly to landscapes, and specifically to seascapes, depicted with intense naturalism permeated by lyricism. Recurring in his production are lagoon or maritime views, similar to this one, animated by fishing boats, whose orange sails stand out well against the true-blue background of sea and sky, and with the coastal profiles just outlined in the distance. The painting is presented in a gilded frame from the early 1900s, with several small defects.

Antique Chinese Magot Terracotta Dignitary Italy XIX Century
OGANCE0232551

Antique Chinese Magot Terracotta Dignitary Italy XIX Century

Piedmont, XIX Century

OGANCE0232551
Antique Chinese Magot Terracotta Dignitary Italy XIX Century

Piedmont, XIX Century

Terracotta sculpture painted in polychrome with a tilting head, depicting the figure of a Chinese dignitary in a seated position in the act of clutching a fabric with his left hand, while the right hand is placed on his belly. The sculpture rests on a marbled base. Slight loss of color and restoration on the headpiece. The magot, little men originally portraying Pu-Tai, the Chinese god of happiness and abundance, were born in northern China and between the seventeenth and eighteenth centuries reached Europe, where like many other chinoiserie they became the status symbol of aristocratic houses.

Vintage 1950s Armchairs Wood Velvet To be Restored Italy
MOSEPO0232985

Vintage 1950s Armchairs Wood Velvet To be Restored Italy

MOSEPO0232985
Vintage 1950s Armchairs Wood Velvet To be Restored Italy

Pair of armchairs with spring padding, velvet upholstery and wooden legs. Fair condition, to be restored. A pair of armchairs to be revisited to make them suitable for an environment with a relaxation area that wants to recall an original style with a taste of times gone by, the product can be restored by our laboratory, with an intervention that involves the replacement of the padding and the fabric by choosing from our different samples.