Di Mano in Mano

Modern Painting by P. Carena Oil on Canvas Italy 1978

Trees in the Snow, 1978

Modern Painting by P. Carena Oil on Canvas Italy 1978

Trees in the Snow, 1978

Oil painting on canvas. Signed and dated lower right. The painting, coming from a private collection in Pavia, is published on page 73 of Simona Morani's monograph dedicated to the artist Primo Carena (Bolis editions), with the presentation signed by the art critic Rossana Bossaglia. The lake landscape well expresses the subdued intimacy associated with the rigorous realism that characterize the pictorial production of the painter from Pavia. In his landscapes Carena tends "to capture the atmospheric reality of the places without indulging in descriptivism... but constantly supported by a lyrical vein, which is the underlying motif of all his production". The work is presented in a style frame. It is published on page 75 of Simona Morani's monograph dedicated to the artist Primo Carena (Bolis editions), with the presentation signed by the art critic Rossana Bossaglia. The landscape well expresses the subdued intimacy associated with the rigorous realism that characterize the pictorial production of the painter from Pavia. In his landscapes Carena tends "to capture the atmospheric reality of the places without indulging in descriptivism... but constantly supported by a lyrical vein, which is the underlying motif of all his production". The work is presented in a period frame.

ARARNO0233205

Modern Painting by P. Carena Oil on Canvas Italy 1950s-60s

San Pietro in Verzolo

ARARNO0233205

Modern Painting by P. Carena Oil on Canvas Italy 1950s-60s

San Pietro in Verzolo

Oil painting on canvas. Signed lower right. The painting, coming from a private collection in Pavia, is published on page 70 of Simona Morani's monograph dedicated to the artist Primo Carena (Bolis editions), with the presentation signed by the art critic Rossana Bossaglia. On the back there is a stamp of participation of the work in the artist's personal exhibition at the Castello Visconteo in Pavia in 1992. The landscape, a stretch of countryside with a backdrop of hills, well expresses the subdued intimacy associated with the rigorous realism that characterizes the production pictorial work by the painter from Pavia. In his landscapes Carena tends "to capture the atmospheric reality of the places without indulging in descriptivism... but constantly supported by a lyrical vein, which is the underlying motif of all his production". The work is presented in a period frame. on page 66 of Simona Morani's monograph dedicated to the artist Primo Carena (Bolis editions), with the presentation signed by the art critic Rossana Bossaglia. On the back there is a stamp of participation of the work in the artist's personal exhibition at the Castello Visconteo in Pavia in 1992. The view of the small village on the outskirts of Pavia, seen from the countryside, well expresses the subdued intimacy associated with the rigorous realism that characterizes the production pictorial work by the painter from Pavia. In his landscapes Carena tends" to capture the atmospheric reality of the places without indulging in descriptivism... but constantly supported by a lyrical vein, which is the underlying motif of all his production". The work is presented in a period frame.

OGANCE0230221

Antique Plate Trompe l'Oeil Cards Porcelain France XIX Century

France, Late XIX Century

OGANCE0230221

Antique Plate Trompe l'Oeil Cards Porcelain France XIX Century

France, Late XIX Century

Porcelain plate painted in polychrome with a trompe l'oeil theme of playing cards on a light blue and blue background. Manufacture mark on the reverse,

OGANCE0230016

Pair of Antique Jugs Meissen Porcelain Germany XX Century

Germany, XX Century

OGANCE0230016

Pair of Antique Jugs Meissen Porcelain Germany XX Century

Germany, XX Century

Two Meissen porcelain jugs with "onion decoration". The "Zwiebelmuster" or "Blue Onion", commonly known by us as the "Onion Decoration", has become somewhat of a symbol of the Meissen Manufacture over the centuries. It is painted in cobalt blue below deck and depicts highly stylized flowers, trees and fruit. The oldest piece made in Meissen with this decoration, inspired by a Chinese drawing from the Kangxi era, is dated 1739 and was painted directly by Hoeroldt. There are stylized peonies, Japanese peaches, asters and pomegranates that develop sinuously around a bamboo cane. Each of these elements has a precise meaning in oriental symbolism. They represent: longevity (bamboo), good luck (peony), cheerfulness (aster), immortality (peach) and fertility (pomegranate).

OGANCE0221783

Antique Tureen Ceramic Plate Northern Europe XX Century

Northern Europe, First Half XX Century

OGANCE0221783

Antique Tureen Ceramic Plate Northern Europe XX Century

Northern Europe, First Half XX Century

Tureen and plate decorated in polychrome with hunting scenes and oriental-style gold motifs. Wavy edge.

ARAROT0232643

Painting by Giuseppe Pogna

Glimpse of the Venetian Lagoon with Boats

ARAROT0232643

Painting by Giuseppe Pogna

Glimpse of the Venetian Lagoon with Boats

Oil painting on canvas. Signed lower left. The Trieste painter Giuseppe Pogna dedicated himself mainly to landscapes, and specifically to seascapes, depicted with intense naturalism permeated by lyricism. Recurring in his production are lagoon or maritime views, similar to this one, animated by fishing boats, whose orange sails stand out well against the true-blue background of sea and sky, and with the coastal profiles just outlined in the distance. The painting is presented in a gilded frame from the early 1900s, with several small defects.

OGANCE0232551

Antique Chinese Magot Terracotta Dignitary Italy XIX Century

Piedmont, XIX Century

OGANCE0232551

Antique Chinese Magot Terracotta Dignitary Italy XIX Century

Piedmont, XIX Century

Terracotta sculpture painted in polychrome with a tilting head, depicting the figure of a Chinese dignitary in a seated position in the act of clutching a fabric with his left hand, while the right hand is placed on his belly. The sculpture rests on a marbled base. Slight loss of color and restoration on the headpiece. The magot, little men originally portraying Pu-Tai, the Chinese god of happiness and abundance, were born in northern China and between the seventeenth and eighteenth centuries reached Europe, where like many other chinoiserie they became the status symbol of aristocratic houses.

MOSEPO0232985

Vintage 1950s Armchairs Wood Velvet To be Restored Italy

MOSEPO0232985

Vintage 1950s Armchairs Wood Velvet To be Restored Italy

Pair of armchairs with spring padding, velvet upholstery and wooden legs. Fair condition, to be restored. A pair of armchairs to be revisited to make them suitable for an environment with a relaxation area that wants to recall an original style with a taste of times gone by, the product can be restored by our laboratory, with an intervention that involves the replacement of the padding and the fabric by choosing from our different samples.

MOTATA0227053

Vintage 1960s Coffee Table Teak Veneer Italy

MOTATA0227053

Vintage 1960s Coffee Table Teak Veneer Italy

Coffee table, with drawers and removable tray shelves in teak veneered wood.

ARARPI0223431

Antique Painting with Religious Subject Oil on Canvas XVII Century

ARARPI0223431

Antique Painting with Religious Subject Oil on Canvas XVII Century

Oil painting on canvas. Neapolitan school of the 17th-18th century. It is a traditional scene of the deposition of Christ from the Cross, with the inert and pale body lowered into the arms of his mother Mary, in turn embraced and supported in her pain by the disciple John, and around, sharing in the mourning, two pious women and two disciples. The scene is characterized by a diagonally descending linearity, which follows the body of Jesus, starting from the pole of the Cross raised on the left and ending with the woman crouched to embrace Jesus' feet on the right. All around, a bare and gray background, which underlines the drama and emptiness that it creates. Restored and relined, the painting is presented in an early 20th century frame.

ARAROT0232644

Antique Painting J. Batista Guzman Oil on Canvas XIX Century

Grandma and Child

ARAROT0232644

Antique Painting J. Batista Guzman Oil on Canvas XIX Century

Grandma and Child

Oil painting on canvas. Signed lower right. The scene, set in a working-class interior, sees an elderly woman sitting on a small chair, busy preparing an egg for her grandson, who is sitting in front of her, concentrated on waiting for the food, while holding the plate to the ninth. Juan Bautista Guzman was an exponent of Spanish costumbrismo, more specifically Andalusian, an artistic and literary movement that developed in Spain in the first half of the 19th century, in the wake of European Romanticism and Orientalism, which created works of art taking inspiration from customs and popular uses. The work is presented in a style frame.

MOSEPO0225939

Vintage 1970s Bamboo Armchair Italy

MOSEPO0225939

Vintage 1970s Bamboo Armchair Italy

Bamboo armchair.

MOCOCO0232416

Vintage 1960s Mirror Smoked Glass Framed Italy

MOCOCO0232416

Vintage 1960s Mirror Smoked Glass Framed Italy

Wall mirror in mirrored glass and smoked glass.

ARARNO0222964

Modern Painting R. Borsa Lombard Landscape Oil on Canvas 1910

Lombard Landscape, 1910

ARARNO0222964

Modern Painting R. Borsa Lombard Landscape Oil on Canvas 1910

Lombard Landscape, 1910

Oil painting on canvas. Signed and dated lower left. The Milanese artist Roberto Borsa has distinguished himself for his painting, mainly of landscapes, defined as "brilliant and spirited" created in a "very robust and warm" style, in which the impressionist derivation of the search for light effects, however, remains bound to the realist tradition of the late nineteenth century in Lombardy. The work is presented in a frame.

MOILIL0210205

Vintage 1990s Flos Ariette Lamp Aluminium Italy

MOILIL0210205

Vintage 1990s Flos Ariette Lamp Aluminium Italy

Ceiling lamp with enamelled aluminium, synthetic fabric diffuser.

ABBIPR0232279

Antique Tablecloth with 10 Napkins Linen Italy XX Century

ABBIPR0232279

Antique Tablecloth with 10 Napkins Linen Italy XX Century

Tablecloth with ten napkins encrypted in Flanders linen with a floral theme Imperfections of time Rectangular shape Composition Flanders linen White color Tablecloth dimensions 292 cm x 192 cm Napkins 76 cm x 70 cm

OGANOG0231059

Antique 1930s-40s Delca Wooden Skis

Italy, 1930s-1940s

OGANOG0231059

Antique 1930s-40s Delca Wooden Skis

Italy, 1930s-1940s

Delca wooden skis. Factory mark on the reverse.

ABBIPR0232253

Antique Double Bed Sheeth with 2 Pillowcases Linen XX Century

ABBIPR0232253

Antique Double Bed Sheeth with 2 Pillowcases Linen XX Century

Double bed sheeth with two pillowcases Delicate back with a Greek pattern worked in satin stitch and hemstitch The two pillowcases close with button fastening typical of the period Good condition Linen composition Color beige Dimensions Sheet 300 cm x 266 cm Pillowcases 86 cm x 49 cm

ARARNO0233215

Modern Painting by P. Carena Oil on Canvas Italy 1960

Lights from the Lake, 1960

ARARNO0233215

Modern Painting by P. Carena Oil on Canvas Italy 1960

Lights from the Lake, 1960

ARARNO0233214

Modern Painting by P. Carena Figures Oil on Canvas Italy 1980s

Ticino with Sunbathers

ARARNO0233214

Modern Painting by P. Carena Figures Oil on Canvas Italy 1980s

Ticino with Sunbathers

Oil painting on canvas. Signed lower right. In the production of the Pavia painter Primo Carena the classic theme of bathers at the river is taken up several times. However, if in the 1940s this Cézannian-inspired subject was presented as the protagonist of the scene and endowed with its own vitality, in the 1980s it underwent a development: the figures are placed in a dilated and broad landscape, of which they represent a part, and they are depicted in rigid poses, devoid of movement, which almost look like mannequins. The work is presented in a frame.

ARARNO0233210

Modern Painting P. Carena Oil on Canvas Italy 1982

Pomegranates, 1982

ARARNO0233210

Modern Painting P. Carena Oil on Canvas Italy 1982

Pomegranates, 1982

Oil painting on canvas. Signed and dated lower right. The Pavia painter Primo Carena dedicated much of his production to still lifes, which refer to the theme of "vanitas vanitatum", wanting to express, with different nuances over the years, the melancholy of the transience of life. Pomegranates are often depicted: particularly in the 1980s, as in this painting, the fruits are immersed in a silent atmosphere with dark, almost metaphysical tones. The painting is presented in a frame.

ARARNO0233208

Modern Painting P. Carena Oil on Cardboard Italy 1950s-1960s

Philosopher

ARARNO0233208

Modern Painting P. Carena Oil on Cardboard Italy 1950s-1960s

Philosopher

Oil on cardboard. Signed lower right. Coming from a private collection in Pavia. The painting proposes a subject taken up several times by Primo Carena, both with groups of several characters inserted in a landscape, and with a solitary figure as appears in this painting, which belongs to the production of the 1950s. The man on the beach, in the seated pose leaning with his elbow on a marble capital, and in the cloth resting on his legs, recalls the elderly character sitting in a work by De Chirico, the Salute to the Argonauts, and well underlies the reference to painting metaphysics that the painter from Pavia wanted to express in his figure paintings of the 1950s and 1960s. The work is presented in a frame.

ARARNO0233206

Painting by Primo Carena

Marseille, 1948

ARARNO0233206

Painting by Primo Carena

Marseille, 1948

Oil on the table. Signed and dated lower left. The painting, coming from a private collection in Pavia, is published on page 63 of Simona Morani's monograph dedicated to the artist Primo Carena (Bolis editions), with the presentation signed by the art critic Rossana Bossaglia. The small glimpse of the French city belongs to the decade of the 1940s in which the painter from Pavia, who has always favored the landscapes and views of his city, made several trips abroad, finding new subjects for his works. The foreshortening well expresses the subdued intimacy associated with the rigorous realism that characterize Carena's pictorial production. In his landscapes Carena tends "to capture the atmospheric reality of the places without indulging in descriptivism... but constantly supported by a lyrical vein, which is the underlying motif of all his production". The work is presented in a period frame.

OGANCE0230175

Antique Bowl Celadon Porcelain China XIX-XX Century

China, Late XIX - Early XX Century

OGANCE0230175

Antique Bowl Celadon Porcelain China XIX-XX Century

China, Late XIX - Early XX Century

Porcelain bowl decorated on the inside with celadon-coloured enamel, on the outside with flowering sprigs and a bird in polychrome enamel. Brand in red under the base.

Modern Painting by P. Carena Oil on Canvas Italy 1978

Modern Painting by P. Carena Oil on Canvas Italy 1950s-60s

Antique Plate Trompe l'Oeil Cards Porcelain France XIX Century

Pair of Antique Jugs Meissen Porcelain Germany XX Century

Antique Tureen Ceramic Plate Northern Europe XX Century

Painting by Giuseppe Pogna

Antique Chinese Magot Terracotta Dignitary Italy XIX Century

Vintage 1950s Armchairs Wood Velvet To be Restored Italy

Vintage 1960s Coffee Table Teak Veneer Italy

Antique Painting with Religious Subject Oil on Canvas XVII Century

Antique Painting J. Batista Guzman Oil on Canvas XIX Century

Vintage 1970s Bamboo Armchair Italy

Vintage 1960s Mirror Smoked Glass Framed Italy

Modern Painting R. Borsa Lombard Landscape Oil on Canvas 1910

Vintage 1990s Flos Ariette Lamp Aluminium Italy

Antique Tablecloth with 10 Napkins Linen Italy XX Century

Antique 1930s-40s Delca Wooden Skis

Antique Double Bed Sheeth with 2 Pillowcases Linen XX Century

Modern Painting by P. Carena Oil on Canvas Italy 1960

Modern Painting by P. Carena Figures Oil on Canvas Italy 1980s

Modern Painting P. Carena Oil on Canvas Italy 1982

Modern Painting P. Carena Oil on Cardboard Italy 1950s-1960s

Painting by Primo Carena

Antique Bowl Celadon Porcelain China XIX-XX Century

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