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1 cm 7605 cm

1 cm 2312 cm

0 cm 5552 cm

1 cm 296 cm

5 cm 249 cm
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Baroque Toerch Holder Italy 18th Century
ANILLA0119270

Baroque Toerch Holder Italy 18th Century

18th Century / 1701 - 1800

ANILLA0119270
Baroque Toerch Holder Italy 18th Century

18th Century / 1701 - 1800

Silvered and lacquered Baroque torch holder engraved with leafy scrolls; the marbled bas had been added later.

Vintage Double Bedsheet Pillowcases Buttons White Flax Italy '900
ABBIPR0191768

Vintage Double Bedsheet Pillowcases Buttons White Flax Italy '900

ABBIPR0191768
Vintage Double Bedsheet Pillowcases Buttons White Flax Italy '900

Double sheet Delicate lapel with bobbin edge The two pillowcases close with button fastening Small unstitching of the edge on one pillowcase Linen composition White color Sheet dimensions 252 x 264 cm Pillowcases 77 x 46 cm

Ancient Louis Philippe Round Table Italy '800 Elm Inlay Wood
ANTATA0190889

Ancient Louis Philippe Round Table Italy '800 Elm Inlay Wood

Rolo, Late XIX Century

ANTATA0190889
Ancient Louis Philippe Round Table Italy '800 Elm Inlay Wood

Rolo, Late XIX Century

Inlaid table with rhomboidal geometric designs on the circular top, elm baluster inlaid with threads and wavy legs.

Landscape Painting by G. Micheroux Campania Oil on Canvas '800
ARAROT0190880

Landscape Painting by G. Micheroux Campania Oil on Canvas '800

Campania Landscape with Figures and Buildings

ARAROT0190880
Landscape Painting by G. Micheroux Campania Oil on Canvas '800

Campania Landscape with Figures and Buildings

Oil painting on canvas. Signed lower left. The landscape view offers a glimpse of a village on the slopes of barren rocky peaks, which refer to the Campania hinterland; some polar figures transit on the bridge which gives access to the village. Micheroux, belonging to the Posillipo school, or the nineteenth-century school of Neapolitan artists dedicated to landscape painting, created several glimpses of the Campania hinterland, but little is left of his production and little is known about his life. The painting has some small drops of color. It is presented in a late 19th century frame.

Plinio 3 Seater Sofa Oak Italy 1980s
MOSEDI0190842

Plinio 3 Seater Sofa Oak Italy 1980s

MOSEDI0190842
Plinio 3 Seater Sofa Oak Italy 1980s

3 seater sofa; structure in stained oak, foam padding, fabric covering.

Plinio Armchair Oak Italy 1980s
MOSEPO0190840

Plinio Armchair Oak Italy 1980s

MOSEPO0190840
Plinio Armchair Oak Italy 1980s

Armchair; structure in stained oak, foam padding, fabric covering.

Ancient Candle Holders Italy '900 Candlesticks Geometric Decorations
ANILLA0190847

Ancient Candle Holders Italy '900 Candlesticks Geometric Decorations

Italy, XX Century

ANILLA0190847
Ancient Candle Holders Italy '900 Candlesticks Geometric Decorations

Italy, XX Century

Group of 3 iron torches with three lights. Candle holder top edged with notched work, stem decorated with geometric elements and support formed by four feet on a circular crossbar.

Dresser with Mirror Wood Italy 1950s
MOMOMO0191099

Dresser with Mirror Wood Italy 1950s

MOMOMO0191099
Dresser with Mirror Wood Italy 1950s

Dresser with mirror; exotic wood veneer, back treated glass top, brass legs.

Floor Lamp Marble Italy XX Century
ANCOPI0121495

Floor Lamp Marble Italy XX Century

Italy 20th century

ANCOPI0121495
Floor Lamp Marble Italy XX Century

Italy 20th century

Floor lamp in marble and alabaster, Italy 20th century. Twisted marble stem decorated with pods and foliaceous elements at the top. Partially removable alabaster lens hood.

Great Tapa Of New Guinea 19th Century
ARARNO0095614

Great Tapa Of New Guinea 19th Century

ARARNO0095614
Great Tapa Of New Guinea 19th Century

Woven from bark and decorated. Splendid example of art-craftsmanship, which refers to one of the most ancient methods to obtain clothes without resorting to weaving or weaving, but using the internal bark of certain species of trees. It’s a method that’s been practiced in Central Africa, in Southeast Asia, in Japan, in North America and from Mesoamerica to the Andes, to the Amazon and the Great Chaco regions. The term Tapa denotes in particular all the bark tissues of Oceania, but in reality it is a word native to Fiji. Depending on the area where these bark tissues are produced, different tree species are used: while in Africa the fig tree is used, in Indonesia and in the Pacific islands the bark most used is that of the paper mulberry tree, with which the highest quality fabrics are produced, which remain white and can be decorated in different ways. If once the bark fabric was worn daily, even simply wrapped around the body, over the centuries it has been replaced by cotton, but still today it is preferred to western fabrics for ritual and ceremonial occasions; above all, these fabrics continue to be important goods of exchange, gifts of value in occasions of births, birthdays, marriages (with exchanges between the relatives of the groom and those of the bride), funerals and ceremonial presentations to the royal family. Added to this is the production generated by the thriving tourist market of this fabric. The tapa presented here is decorated with repeated geometric motifs, which evoke the huts and the village road. The upper edge is not straight, but shaped with large triangular fringes. It is placed on a panel covered with a plexiglass case.

Hermes Foulard Vintage L'Arriere-Main
ABVI1P0191975

Hermes Foulard Vintage L'Arriere-Main

ABVI1P0191975
Hermes Foulard Vintage L'Arriere-Main

Pure silk scarf signed Hermès Paris, designed by Philippe Ledoux in 1969, inspired by an oil painting by the French romantic painter Théodore Géricault entitled Les Croupes. The horse print is framed in green on a white background. The conditions are very good, it has a very slight stain.

Vintage Shiraz Carpet 79 x 27 In Wool Big Knot Geometric Pattern Asia
ANCOTA0191908

Vintage Shiraz Carpet 79 x 27 In Wool Big Knot Geometric Pattern Asia

79 x 27 In

ANCOTA0191908
Vintage Shiraz Carpet 79 x 27 In Wool Big Knot Geometric Pattern Asia

79 x 27 In

Shiraz rug in wool; big knot. Manual manufacturing.

Liguarian Restoration Boat Bed Walnut Oak Italy 19th Century
ANMOLE0118203

Liguarian Restoration Boat Bed Walnut Oak Italy 19th Century

19th Century / 1801 - 1900

ANMOLE0118203
Liguarian Restoration Boat Bed Walnut Oak Italy 19th Century

19th Century / 1801 - 1900

Ligurian Restoration boat bed supported by engraved feet; walnut and oak.

Ceiling Lamp Aluminium Italy 1970s
MOILIL0191425

Ceiling Lamp Aluminium Italy 1970s

MOILIL0191425
Ceiling Lamp Aluminium Italy 1970s

Ceiling lamp; chromed aluminum.

Vintage Beijing Blue Carpet China 55x35 In Cotton Wool Fine Knot
ANCOTA0191911

Vintage Beijing Blue Carpet China 55x35 In Cotton Wool Fine Knot

55 x 35 In

ANCOTA0191911
Vintage Beijing Blue Carpet China 55x35 In Cotton Wool Fine Knot

55 x 35 In

Beijing Blue carpet in cotton and wool: fine knot. Manual manufacturing.

Vintage Beijing Carpet China 104 x 71 In Cotton Wool Fine Knot
ANCOTA0191907

Vintage Beijing Carpet China 104 x 71 In Cotton Wool Fine Knot

104 x 71 In

ANCOTA0191907
Vintage Beijing Carpet China 104 x 71 In Cotton Wool Fine Knot

104 x 71 In

Peking carpet in cotton and wool; fine knot. Manual manufacturing.

Vintage Tablecloth Green Flax Napkins Ecrù Flowers Decorations
ABBIPR0191766

Vintage Tablecloth Green Flax Napkins Ecrù Flowers Decorations

ABBIPR0191766
Vintage Tablecloth Green Flax Napkins Ecrù Flowers Decorations

Refined tablecloth embroidered with green thread in shadow point and burano point with a floral theme Signs of aging Rectangular shape Composition Linen Ecru color Dimensions Tablecloth 236 x 150 cm Napkins 50 x 47 cm

Pair of Wall Lamps Wood Italy 1960s
MOILIL0189073

Pair of Wall Lamps Wood Italy 1960s

MOILIL0189073
Pair of Wall Lamps Wood Italy 1960s

Pair of wall lamps; curved wood, opal glass.

Vintage Rug Wool Blend Long Pile Italy XX Century
MODCOM0001592

Vintage Rug Wool Blend Long Pile Italy XX Century

59x36 In

MODCOM0001592
Vintage Rug Wool Blend Long Pile Italy XX Century

59x36 In

Vintage rug in wool blend with long pile.

Pair of Empire Style Frames Wood - Italy XIX Century
ANCOSP0119052

Pair of Empire Style Frames Wood - Italy XIX Century

19th Century / 1801 - 1900

ANCOSP0119052
Pair of Empire Style Frames Wood - Italy XIX Century

19th Century / 1801 - 1900

Pair of Empire-style frames, the jamb has a motif of successive leaflets; entirely gilded. Presented with paintings depicting landscapes.

Aubusson carpet - China
ANCOTA0191912

Aubusson carpet - China

257x155cm

ANCOTA0191912
Aubusson carpet - China

257x155cm

Cotton Aubusson rug; fine knot. Manual manufacturing.

Vintage Black Velvet Shirt with Embroideries Size 14 Italy 1970s
ABVI1A0175523

Vintage Black Velvet Shirt with Embroideries Size 14 Italy 1970s

Size 14

ABVI1A0175523
Vintage Black Velvet Shirt with Embroideries Size 14 Italy 1970s

Size 14

70s jacket in black velvet embellished on the sleeves and neck with sequin embroidery and glass inserts, which create floral designs. Wears today's Italian size 44, but can also be worn by smaller sizes (length 84 cm, sleeve length 53 cm, shoulders 42 cm, waistline 96 cm). May never have been worn

Pair of Armchairs Foam Italy 1950s-1960s
MOSESE0191021

Pair of Armchairs Foam Italy 1950s-1960s

MOSESE0191021
Pair of Armchairs Foam Italy 1950s-1960s

Pair of armchairs; foam padding, imitation leather covering, stained beech wood legs.

Baroque Sculpture Carved Wood Central Italy XVII-XVIII Century
ARARAR0190516

Baroque Sculpture Carved Wood Central Italy XVII-XVIII Century

Central Italy XVII Century

ARARAR0190516
Baroque Sculpture Carved Wood Central Italy XVII-XVIII Century

Central Italy XVII Century

Baroque sculpture in walnut, central Italy 17th century. The male figure, created to be seen in an elevated position with respect to the observer and originally part of a larger sculptural group, is characterized by wavy hair and beard, right arm brought to the chin while the left in an enveloping position, in the act of to support an object or to cling to some element of support; dressed in a rich drapery that leaves the upper part of the bust and the legs uncovered, one bent and the other stretched out. The volume and plasticity of the body, combined with the sense of movement transmitted by the twist, look to the sculptural production of the Roman Baroque.