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1 cm 7605 cm

1 cm 2312 cm

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5 cm 249 cm
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Vintage 1960s Italian Sideboard Teak Veneer with Drawers
MOMOMO0225687

Vintage 1960s Italian Sideboard Teak Veneer with Drawers

MOMOMO0225687
Vintage 1960s Italian Sideboard Teak Veneer with Drawers

Sideboard with visible drawers, sliding doors. Teak veneered wood. Restored (SELECTED - Restauro 300) A piece of furniture to personalize a living environment with originality, the English production brings back the shapes and lines of Northern European furniture, a sober style but with great attention to detail. Carefully restored by our laboratory, the wooden part thus returns to the original brightness of the teak essence.

Antique Painting with Baccus and Ariadne '600 Oil on Canvas
ARARPI0224079

Antique Painting with Baccus and Ariadne '600 Oil on Canvas

ARARPI0224079
Antique Painting with Baccus and Ariadne '600 Oil on Canvas

Oil on canvas. Northern Italian School of the 17th century. The scene recounts the Greek myth of the god Bacchus and Ariadne, the daughter of Minos, king of Crete: the young princess, after helping Theseus defeat the Minotaur in exchange for a promise to be married by the hero, was in fact abandoned by him on the island of Naxos. Hearing Ariadne's lamentations, the god Bacchus descended from Olympus to console her, but on reaching the island he fell in love with her and married her. In the scene, on the left, we see Ariadne slumped and crying, raising her face to look at the procession of the god who is arriving: Bacchus can be recognised by the crown of grape vine leaves on his head and the staff with the same leaves, and he holds a small dog on a leash, a symbol of nuptial fidelity; behind him, the Bacchae and fauns advance festively, with tambourines and jars of wine. Hovering above in the centre is a winged putto, who is bringing Ariadne a crown of stars, the god's nuptial gift, which will allow her access to Olympus. The painting, restored and re-framed, is presented in a refitted antique frame.

Painting by Giuseppe Migneco
ARARCO0222309

Painting by Giuseppe Migneco

Lemon picker

ARARCO0222309
Painting by Giuseppe Migneco

Lemon picker

Oil painting on canvas. Signed lower right. On the back there is a declaration of authenticity signed by the artist and the stamp of the Giuseppe Migneco General Catalog with the cataloging number of the work in the archive. Giuseppe Migneco, originally from Messina but who moved to Milan at a young age, was one of the major representatives, together with Aligi Sassu, Renato Birolli, Bruno Cassinari, Renato Guttuso, of the Corrente group open to the European artistic avant-garde. In favor of a painting of social commitment, he investigates reality with a critical, objective, historical eye. His characters with hard, square faces, marked by hard work and rendered in bright and strong tones, recall his Sicily with violent and clear features, but also the social realism of the Mexican muralists. The work is presented in a frame.

Ancient Painting Portrait of a Clergy Man '800 Lombard School
ARAROT0221740

Ancient Painting Portrait of a Clergy Man '800 Lombard School

ARAROT0221740
Ancient Painting Portrait of a Clergy Man '800 Lombard School

Oil painting on canvas. Lombard school of the 19th century. The large portrait of the prelate in the foreground is characterized by the background behind him, where a church and a convent structure can be seen, probably the places where the priest exercised his ministry. The man rests his right hand on some books to his right, also underlining his role as a scholar. The painting is presented in a gilded frame from the early 1900s.

Vintage 1980s Ceiling Lamp Frisbi 850 A. Castiglioni for Flos
MOILIL0225823

Vintage 1980s Ceiling Lamp Frisbi 850 A. Castiglioni for Flos

MOILIL0225823
Vintage 1980s Ceiling Lamp Frisbi 850 A. Castiglioni for Flos

Ceiling lamp; diffuser in methacrylate, brass-plated metal.

Vintage 1970s Table Lamp Blown Glass Metal Italy
MOILIL0225824

Vintage 1970s Table Lamp Blown Glass Metal Italy

MOILIL0225824
Vintage 1970s Table Lamp Blown Glass Metal Italy

Table lamp, chromed metal and aluminum base, blown glass.

Vintage Hermès Phaeton Paris 1950s Pure Silk Red Background
ABVI1A0226291

Vintage Hermès Phaeton Paris 1950s Pure Silk Red Background

ABVI1A0226291
Vintage Hermès Phaeton Paris 1950s Pure Silk Red Background

Hermès foulard entitled Phaeton in pure silk with red background. It was designed in 1959 by Philippe Ledoux; This is a rare piece to find. Condition is very good, may have never been worn.

Second Hand Coat Anne Klein Eco-Fur Size 14 Pockets
ABDO1I0225771

Second Hand Coat Anne Klein Eco-Fur Size 14 Pockets

UK Size 14

ABDO1I0225771
Second Hand Coat Anne Klein Eco-Fur Size 14 Pockets

UK Size 14

Faux fur coat in animal print, with wide lapels. Single-breasted buttoning, two large external pockets and one internal one. Lined garment. We point out the lack of a button.

Vintage 1980s Frisbi 850 A. Castiglioni for Flos Italy
MOILIL0225822

Vintage 1980s Frisbi 850 A. Castiglioni for Flos Italy

MOILIL0225822
Vintage 1980s Frisbi 850 A. Castiglioni for Flos Italy

Ceiling lamp; diffuser in methacrylate, brass-plated metal.

Ancient Wooden Xebec '900 with Fabric Sails Objects
OGANOG0225957

Ancient Wooden Xebec '900 with Fabric Sails Objects

Italy, XX Century

OGANOG0225957
Ancient Wooden Xebec '900 with Fabric Sails Objects

Italy, XX Century

Hand-built wooden xebec sailing ship with fabric sails.

Antique Tablecloth '900 White Flax Composition Decorations
ABBIPR0224821

Antique Tablecloth '900 White Flax Composition Decorations

ABBIPR0224821
Antique Tablecloth '900 White Flax Composition Decorations

Rectangular tablecloth encrypted "GB" embroidered in satin stitch with shiny matt decorations Some signs of aging White color Composition Flanders linen Dimensions 288 cm x 126 cm

Vintage 1960s Wall Lamp Enamelled Alluminium Brass Glass
MOILIL0225837

Vintage 1960s Wall Lamp Enamelled Alluminium Brass Glass

MOILIL0225837
Vintage 1960s Wall Lamp Enamelled Alluminium Brass Glass

Wall lamp, enamelled aluminium, brass, opaline glass.

Ancient Double Bed Sheeth with 2 Pillowcases '900 White Flax
ABBIPR0224757

Ancient Double Bed Sheeth with 2 Pillowcases '900 White Flax

ABBIPR0224757
Ancient Double Bed Sheeth with 2 Pillowcases '900 White Flax

Double bed with two pillowcases Very elegant reverse embroidered with needle stitch and satin stitch which gives relief to the embroidery with hemstitch edge Small imperfections on the pillowcases White color Linen composition Dimensions Sheet 280 cm x 268 cm Pillowcases 85 cm x 52 cm

Ancient Double Bed Sheeth with 2 Pillowcases '900 White Flax
ABBIPR0224751

Ancient Double Bed Sheeth with 2 Pillowcases '900 White Flax

ABBIPR0224751
Ancient Double Bed Sheeth with 2 Pillowcases '900 White Flax

Double bed set with two pillowcases. Refined and elegant, the lapel is embroidered in satin stitch with needlework inserts and edge with hemstitch embroidery. The closure of the two pillowcases is with buttons and there are light yellow stains. White color. Linen composition. Sheet dimensions: 280 cm x 272 cm. Pillowcases: 82 cm x 52 cm.

Ancient Towel '900 White Flax Composition Decoration
ABBIPR0225769

Ancient Towel '900 White Flax Composition Decoration

ABBIPR0225769
Ancient Towel '900 White Flax Composition Decoration

Beautiful towel encrypted "AP" with rich carving workmanship Excellent condition White color Linen composition Dimensions 132 cm x 68 cm

Just Cavalli Trousers Fur Pattern UK Size 14 Cotton Italy
ABDO1I0224777

Just Cavalli Trousers Fur Pattern UK Size 14 Cotton Italy

UK Size 14

ABDO1I0224777
Just Cavalli Trousers Fur Pattern UK Size 14 Cotton Italy

UK Size 14

Original trousers, in perfect and recognizable Cavalli style. The front side is in very soft and warm long-pile velvet-type fabric, in shades of lilac and purple. The back side has a damask print in shades of lilac and gold, repeated along the waistband.

Contemporary Painting Athos Faccincani Oil on Canvas Landscape
ARARCO0223199

Contemporary Painting Athos Faccincani Oil on Canvas Landscape

Landscape

ARARCO0223199
Contemporary Painting Athos Faccincani Oil on Canvas Landscape

Landscape

Oil painting on canvas. Signed lower right. Athos Faccincani's pictorial production was initially focused on social themes, in particular with attention to the world of prisoners and the marginalized. Since the 1980s, after a long period of reflection, the artist moves from the representation of human figures to that of the landscape, of the nature that Faccincani loves in its sacred totality, becoming his only model. Following a radical change in his existential and stylistic attitude, he moved on to the production of images of clear impressionist derivation, with pure and bright colours, aimed at valorising the light, the sun and the simple story, with a painting that bears witness to joy and serenity. The work is presented in a frame.

Contemporary Painting R. Licata Untitled 1956 Mixed Technique
ARARCO0222538

Contemporary Painting R. Licata Untitled 1956 Mixed Technique

Untitled, 1956

ARARCO0222538
Contemporary Painting R. Licata Untitled 1956 Mixed Technique

Untitled, 1956

Mixed media on paper applied to canvas. Signed and dated lower right. Riccardo Licata, an eclectic artist who dedicated himself to painting, engraving, mosaic, sculpture and also scenography, has gone through various phases of artistic research and has been able to combine abstraction with a profound search for spatial rhythms marked by signs . His graphic-pictorial writing, inspired by music, has given a unique identity to his works, which stand out for the skilful use of symbols and graphic features. The work is presented in a frame.

Contemporary Painting M. Maccari Figures '900 Painting Canvas
ARARCO0222308

Contemporary Painting M. Maccari Figures '900 Painting Canvas

Figures

ARARCO0222308
Contemporary Painting M. Maccari Figures '900 Painting Canvas

Figures

Oil painting on canvas. Signed lower right. Mino Maccari's artistic production is mainly aimed at social and political satire, expressed above all through drawing; moreover, he never positioned himself as a judge of Italian customs, but rather as an amusing and amused chronicler of the vices and weaknesses of society. In his pictorial production, although he does not deviate excessively from the themes of his drawings, he accentuates the fantastic aspect more: with rapid and decisive brushstrokes and bright, often violent colours, he characterizes almost unreal or rather caricatural figures. The work is presented in a frame.

Contemporary Painting O. Tamburi Paris '900 Oil on Canvas
ARARCO0222307

Contemporary Painting O. Tamburi Paris '900 Oil on Canvas

Paris

ARARCO0222307
Contemporary Painting O. Tamburi Paris '900 Oil on Canvas

Paris

Oil on canvas. Signed lower right. Orfeo Tamburi was a multifaceted and prolific Italian artist. A draughtsman, painter and journalist, he even tried his hand at acting (Roberto Rossellini's The Envy). In his pictorial career, Tamburi investigated the expressive possibilities of matter and attempted to overcome the figurative-non-figurative antithesis. The figurative, present in his early production, is gradually abandoned in favour of a geometrialisation of reality, a flattening of forms that does not, however, preclude considerable expressive power. Recurring in his production are city views, often Parisian but not only, characterised precisely by the precise lines of the shapes of the houses but also of the windows (Tamburi has also been defined as a 'painter of windows'), which contribute to emphasising precisely the geometric vision of reality. The work is presented in a frame.

Painting by Francesco Somaini
ARARCO0221352

Painting by Francesco Somaini

Project for sculpture 1983

ARARCO0221352
Painting by Francesco Somaini

Project for sculpture 1983

Mixed media on paper. Signed lower left. Further signature and date on the back. The Como sculptor Francesco Somaini has created a large production of informal sculptures, characterized by a search for new materials and an expansion of the plastic language. Starting from the seventies he carried out a series of studies and projects for large-scale works, in which, through the integration of sculpture, he proposed a redevelopment of the urban fabric. The project is presented in a frame.

Antique Bar Cabinet Chinoiserie Early XX Century Carved Wood
ANMOST0223905

Antique Bar Cabinet Chinoiserie Early XX Century Carved Wood

Italy, Early XX Century

ANMOST0223905
Antique Bar Cabinet Chinoiserie Early XX Century Carved Wood

Italy, Early XX Century

Bar cabinet supported by wavy and carved feet, as is the apron. The body is lacquered and painted with oriental-style motifs and has two doors that conceal a fully mirrored bar compartment.

Painting by Aldo Mondino
ARARCO0223202

Painting by Aldo Mondino

Hortensia and Juan 1974

ARARCO0223202
Painting by Aldo Mondino

Hortensia and Juan 1974

Acrylic on canvas. The signature at the bottom center, the title and a location on the left. On the back there is a cartouche of the Chiari contemporary art gallery in Brescia. The work belongs to the series by Aldo Mondino entitled "Hortensia and Juan", dedicated to the love story between Hortense Fiquet Cézanne (1850 -1922), a French model who was Paul Cèzanne's favorite model and wife, and Juan Gris (1887 - 1927) the Spanish painter and set designer, an exponent of Cubism. Work in frame.

1970s Alzer 80 Suitcase Louis Vuitton Brass Leather Canvas
ABVI1A0222417

1970s Alzer 80 Suitcase Louis Vuitton Brass Leather Canvas

ABVI1A0222417
1970s Alzer 80 Suitcase Louis Vuitton Brass Leather Canvas

The Alzer rigid suitcase is one of Louis Vuitton's most iconic models; continues to fascinate because it is spacious and resistant, still in production today. The interior is lined in canvas, where the removable internal divider is located. The finishes are in leather, reinforced with studs and with golden brass corners, the latter also used for the locks. The two additional closures are characteristic, inspired by the Maison's trunks. Inside it has the authentic label bearing the unique product number (983339). It is produced with the famous Monogram canvas, a fabric characterized by stylized flowers and "LV" monograms, invented in 1896 by Georges Vuitton, son of Louis. It can be dated to the 1970s and is preserved with all the original parts; Item in very good condition with very slight signs of aging.