Di Mano in Mano

The Visitation Oil on Canvas Venetian School Italy XVIII C

Oil on canvas. Venetian school. The scene, inspired by the Gospel of Luke, describes the visit made by Mary, already pregnant with Jesus, to her cousin Elizabeth, who in turn awaits the birth of her son John, the future Baptist. The meeting between the two women also corresponds to the meeting between the two unborn children and the anticipation of the recognition of Jesus the Savior, with John leaping in his mother\'s womb when he hears Mary speak, who recites the beautiful prayer in thanksgiving. of the Magnificat. The two spouses attend the scene, the old Zacharias, husband of Elizabeth and Joseph, husband of Mary. Of great scenic impact, the scene is set in a building with columns; the figures are in motion, bodies and gazes cross and intertwine; the bright colors help to create brightness and lightness. The restored and relined painting is presented with a thin gilt frame.

ANMOAL0210768

Ancient Clock George III Mahogany Maple England '700-'800

England Late 18th – Early 19th Century

ANMOAL0210768

Ancient Clock George III Mahogany Maple England '700-'800

England Late 18th – Early 19th Century

George III pendulum clock veneered in mahogany and mahogany feather, England late 18th - early 19th century. Featuring a large metal display with Arabic numerals and chiselled metal hands, painted with a hunting scene within a landscape in the central section and four female virtues at the corners; pair of globes-terraques and phases of the moon in the upper part. Structure embellished by six fluted columns, borders, reserves inlaid in maple and painted maple depicting shells and floral elements and by a pair of black lacquered reserves with gilded phytomorphic decorations placed at the top. Blown glass, fir interior. Dial signed "Parkinson Whitehaven".

ANSESE0209346

Group of 8 Chairs in Mahogany Padded Seats England XX Century

England, XX Century

ANSESE0209346

Group of 8 Chairs in Mahogany Padded Seats England XX Century

England, XX Century

Group of eight mahogany chairs, England 20th century. Open backrest, turned front legs. Upholstered seats.

OGANOG0211561

Pair of Torch Holders Craved Wood '800

Europe Early 1800s

OGANOG0211561

Pair of Torch Holders Craved Wood '800

Europe Early 1800s

Pair of Empire torch holders in carved wood, gilded with mecca and gold leaf. Recently electrified.

ANCOSP0211169

Ancient Eclectic Toilet Mirror Gilded and Carved Wood

Italy Mid 19th Century

ANCOSP0211169

Ancient Eclectic Toilet Mirror Gilded and Carved Wood

Italy Mid 19th Century

Eclectic vanity mirror in carved and gilded wood, Italy mid-19th century. Decorated with three foliaceous applications arranged along the perimeter of the oval frame, the latter supported by a base carved with acanthus leaves, triage reserves and central shell. Mirror replaced.

MOMOMO0212477

Vintage Chest of Drawers Teak Veneer Brass Italy 1960s

MOMOMO0212477

Vintage Chest of Drawers Teak Veneer Brass Italy 1960s

Chest of Drawers in teak veneered wood, wooden legs with brass tips.

ARARPI0210825

The Three Sisters Oil on Canvas Northern Europe '800

ARARPI0210825

The Three Sisters Oil on Canvas Northern Europe '800

Oil painting on canvas. Northern European school of the 19th century. Family portrait of three girls, whose marked resemblance in facial features, smile and witty and mischievous gaze, is underlined by the almost identical clothes they wear, whose bright colors enliven the scene and on which the laces of the necklines stand out, exquisitely painted; the youngest in the center, still a child, has a slightly less worked dress and a less elaborate hairstyle, in keeping with her age. The painting is presented in a late 19th century frame that has been adapted and regilded.

ANCOSP0207535

Golden Mirror in Baroque Style

Italy Late 19th - Early 20th Century

ANCOSP0207535

Golden Mirror in Baroque Style

Italy Late 19th - Early 20th Century

Mirror in carved and gilded wood in Baroque style, Italy, late 19th - early 20th century. Cimasa composed of a coat of arms depicting a pair of flowers with five superimposed petals, surmounted by the "Corno Ducale", headgear worn by the Doges of Venice. At the upper extremities there are two bare-chested female figures placed sideways, while at the lower extremities a pair of seated lions, always represented in profile. The perimeter decoration is completed by large carved acanthus leaves, partly constituting a development of the aforementioned figures. In the innermost section of the frame there are curl, foliaceous and anthemium motifs. regilded.

ANMOAL0207405

Liberty Hanging Mailbox

Naples Early 20th century

ANMOAL0207405

Liberty Hanging Mailbox

Naples Early 20th century

Art Nouveau mailbox, made of chestnut and mahogany, Naples, early 20th century. Front with brass characters applied to form the word "POSTA", six letter compartments with metal front, lower section with flap drawers. Bottom drawer lock missing. A similar post office box is present at Palazzo Mannajuolo in Naples, a historic Art Nouveau residence located in via Filangieri, in the Chiaia district.

ARARPI0132735

Oil on Canvas Historical Subject Italy XVIII Century

ARARPI0132735

Oil on Canvas Historical Subject Italy XVIII Century

Oil painting on canvas. The wide view of the Imperial Forums of Rome is part of the vast landscape production of the Grand Tour period, intended for wealthy European aristocrats traveling to Europe - and in particular in Italy, where Rome was considered a must - who wanted a souvenir of the places visited. The Roman Imperial Forums are an architectural complex consisting of a series of monumental buildings and squares, the center of political activity in ancient Rome, built over a period of about 150 years, between 46 BC. and 113 A.D. Despite the enlargements, the fires, the restorations and the reconstructions, during the Antiquity the Imperial Forums kept intact both their architectural conformation and their function. Their almost definitive destruction occurred during the Renaissance at the hands of Pope Julius II (1503-1513), who used the whole area as a quarry for materials to be reused in the building and artistic renovation of the city he initiated. The protests of leading artists such as Raphael and Michelangelo were of little use. In the following centuries various excavation campaigns were undertaken, with greater vigor starting from the nineteenth century, but the area was completely excavated at the beginning of the twentieth century and the ancient architecture was almost completely erased to make room for the construction of via dei Fori Imperiali , which connects Piazza Venezia with the Colosseum. The Forum was rediscovered starting from the sixteenth century also thanks to the Roman view painters who at that time loved to paint the ruins emerging in the pasture area. The view proposed here presents the Imperial Forums before the excavations begun in the nineteenth century, when the road that still crosses them had not yet been built: they are still surrounded by green countryside and the Roman hills stand out in the background. Restored and relined, the painting is presented in a re-adapted 19th century frame.

ARARPI0057117

Saint Francis Oil on Canvas Center-Italian School 18th Century

ARARPI0057117

Saint Francis Oil on Canvas Center-Italian School 18th Century

Oil on canvas. Center-Italian School. The Saitn from Assisi is represented while contemplating the Crucifix as he was traditionally portraited, itinerant in the Umbrian countryside. The painting had already been restored but need to be clean. Displayed in an ancient frame.

MOCOCO0210195

Mirror from the 50s and 60s

MOCOCO0210195

Mirror from the 50s and 60s

Mirror with gilt wood frame and mirrored glass with decorations.

ANMOCO0208511

Pair of Umbertini Piemonte bedside tables

Piedmont Late 19th Century

ANMOCO0208511

Pair of Umbertini Piemonte bedside tables

Piedmont Late 19th Century

Pair of mahogany veneered Umbertini bedside tables, Piedmont, late 19th century. Tops with recessed white marble, front with drawer in the band and door, rounded uprights, top-shaped feet. Decorated with frames and mahogany feather reserves. Walnut, cherry and poplar interiors.

MOTATA0207388

Pair of Coffee Tables Metal Brass Glass Italy 1980s

MOTATA0207388

Pair of Coffee Tables Metal Brass Glass Italy 1980s

Pair of side tables in enamelled metal, brass and glass.

ARAROT0212457

Watercolor Painting by Pompeo Mariani Italy XIX-XX Century

Park

ARAROT0212457

Watercolor Painting by Pompeo Mariani Italy XIX-XX Century

Park

Watercolor on paper. Signed lower right. On the back there is a label from the Manzoni Art Gallery in Milan, with the data of the work. A leading exponent of 19th-century Lombard painting which was always linked to the love for the real, Pompeo Mariani was also called "the Italian impressionist", due to the influence in his works of French impressionism and those experiences, not only cultural, which constituted the era of the Belle Époque, which the artist lived between Milan, Bordighera, Nice and Montecarlo. In this small watercolor Mariani offers a glimpse of a city park, adorned with statues along the gate. The painting is presented in a period frame.

OGANOG0211085

Petrified Wood Slab with Various Minerals

OGANOG0211085

Petrified Wood Slab with Various Minerals

Petrified wood slab in various colors of minerals. In the slow process of demineralization the organic materials have been replaced by minerals present in the soil.

ARAROT0212472

Painted with Interior Scene with Figure

ARAROT0212472

Painted with Interior Scene with Figure

Watercolor on paper. Inside a simple room, in front of the fireplace, a female figure lies on a chair with her eyes closed (asleep or in interior recollection?), whose clothes in the red and blue colors typical of the sacred Marian symbology, stand out in the almost monochromatism of the furnishings; from the window on the left enters a beam of light that crosses the room and radiates on the figure, illuminating it. Maybe an Annunciation? The work is presented in a period frame.

ANSESE0211087

Style cockpit armchair

Italy Early 20th Century

ANSESE0211087

Style cockpit armchair

Italy Early 20th Century

Classic style cockpit armchair in mahogany veneer, Italy early 20th century. Wavy structure, characterized by an open back with a double order of central folders. Decorated with reserves veneered in exotic wood, phytomorphic and foliaceous inlays in maple and bakelite worked with the burin and with bakelite threading. Padded seat.

MOCOCO0213210

Vintage Bed Exotic Wood Veneer Italy 1960s

MOCOCO0213210

Vintage Bed Exotic Wood Veneer Italy 1960s

Double bed in exotic wood veneered wood. Good conditions

ANTATA0209148

Ancient Round Table Mahogany Exotic Woods United Kingdom '800

Early Victorian England

ANTATA0209148

Ancient Round Table Mahogany Exotic Woods United Kingdom '800

Early Victorian England

Round sail table in mahogany and exotic wood veneer, England Mid 19th century. Top with sailing movement, resting on a turned and carved baluster in the lower section. Trilobate base with pine cone feet and wheels.

ARARPI0132179

Portrait of a Young Woman Oil on Canvas Italy 1666

ARARPI0132179

Portrait of a Young Woman Oil on Canvas Italy 1666

Oil on canvas. Lombard school of the seventeenth century. A smiling young girl is portrayed in an elegant black dress, embellished with lace on the neckline and a play of red and green laces and ribbons on the sleeves, which match the red embroidered petticoat; she wears her jewels around her neck, wrists, ears, in the hairstyle of her hair, where the austerity of pearls is lightened by colored ribbons; she holds a bouquet of flowers in her hand, which emphasizes her gracefulness and grace. Restored and relined, on the second canvas there is written, probably a copy of the original on the first canvas, which indicates who the young woman is: \\\"Margh.a D. Gridonia Gonz. Agnella - Soada Maffei - D\\\'etta Anni XVIII\\\", followed by a coat of arms with the initials C FAS This writing, in addition to defining the name and age, highlights the young woman\\\'s belonging to the College of the Virgins of Jesus in Castiglione delle Stiviere, founded in 1608 by the Marquise Guidonia Gonzaga together with the two sisters Cinzia and Olimpia, all nephews of San Luigi Gonzaga. This college had the purpose of imparting an education to young noblemen or young people from good families, who, with the dowry donated to the college, contributed to the sustenance of the same. The portrait has minor flaws. It is presented in an ancient, non-coeval frame, with small shortcomings.

ARAROT0212466

Painting of L. Bazzaro Maiden Oil on Canvas 1874

Portrait of a Maiden 1874

ARAROT0212466

Painting of L. Bazzaro Maiden Oil on Canvas 1874

Portrait of a Maiden 1874

Oil painting on canvas. On the lower right there is the monogram LB, on the back the full signature and the date. Milanese by birth and training, Leonardo Bazzaro is considered a lively exponent of Lombard impressionism, dedicated to chromatic and luministic research. His very fruitful production of works was dedicated in the early years to Milanese interiors, but then attracted by open-air painting, he moved to landscape views and in particular he was attracted by the color of the Venetian lagoon, which led him to stay for a certain period in Chioggia. This face of a girl, a youthful work by the artist, only twenty-one years old, already highlights Bazzaro's ability to render color and light, which gives intensity to the absorbed expression of the young woman. The work is presented in a late 19th century frame.

ANSESE0209658

Group of 4 Baroque Chairs Walnut Padded Seat Italy '700

Italy, First Quarter of the XVIII Century

ANSESE0209658

Group of 4 Baroque Chairs Walnut Padded Seat Italy '700

Italy, First Quarter of the XVIII Century

Group of four different walnut chairs, Italy first quarter of the 18th century. Spool legs and crosspieces. Upholstered backrests and seats.

ANMOST0207746

Ancient Clock Rococo Style Gilded Bronze Italy XX Century

Italy 20th century

ANMOST0207746

Ancient Clock Rococo Style Gilded Bronze Italy XX Century

Italy 20th century

Rococo style pendulum clock, made of carved, lacquered, painted and gilded MDF, Italy 20th century. Metallic display with Roman numerals, protected by glass inserted within gilt bronze profiling. Decorated with rocaille elements, curls and leafy scrolls; painted floral elements.

The Visitation Oil on Canvas Venetian School Italy XVIII C

Ancient Clock George III Mahogany Maple England '700-'800

Group of 8 Chairs in Mahogany Padded Seats England XX Century

Pair of Torch Holders Craved Wood '800

Ancient Eclectic Toilet Mirror Gilded and Carved Wood

Vintage Chest of Drawers Teak Veneer Brass Italy 1960s

The Three Sisters Oil on Canvas Northern Europe '800

Golden Mirror in Baroque Style

Liberty Hanging Mailbox

Oil on Canvas Historical Subject Italy XVIII Century

Saint Francis Oil on Canvas Center-Italian School 18th Century

Mirror from the 50s and 60s

Pair of Umbertini Piemonte bedside tables

Pair of Coffee Tables Metal Brass Glass Italy 1980s

Watercolor Painting by Pompeo Mariani Italy XIX-XX Century

Petrified Wood Slab with Various Minerals

Painted with Interior Scene with Figure

Style cockpit armchair

Vintage Bed Exotic Wood Veneer Italy 1960s

Ancient Round Table Mahogany Exotic Woods United Kingdom '800

Portrait of a Young Woman Oil on Canvas Italy 1666

Painting of L. Bazzaro Maiden Oil on Canvas 1874

Group of 4 Baroque Chairs Walnut Padded Seat Italy '700

Ancient Clock Rococo Style Gilded Bronze Italy XX Century

Insights

Information

Who we are

Shop Information

Di Mano in Mano Soc. Coop.

Contact us Now

Registered Office:

Believe in Us