Specific typology

Price

1 € 34000 € Apply

Subject

Style

Artist

Technical specification

Designer

Production

Fashion designer

Material

Dimensions


1 cm 7605 cm

1 cm 2312 cm

0 cm 5552 cm

1 cm 296 cm

5 cm 249 cm
Apply

Sort by

Ancient Working Table Early '900 Beech Wood Metal Plaques
ANTATA0195804

Ancient Working Table Early '900 Beech Wood Metal Plaques

Italy, Early XX Century

ANTATA0195804
Ancient Working Table Early '900 Beech Wood Metal Plaques

Italy, Early XX Century

Work table with shaped beechwood top fitted with metal plates. Four drawers in the band. Italy early 20th century

Vintage Bookcase 1960s Exotic Wood Veneer Brass
MOMOLI0196497

Vintage Bookcase 1960s Exotic Wood Veneer Brass

MOMOLI0196497
Vintage Bookcase 1960s Exotic Wood Veneer Brass

Bookcase with flap compartments in exotic wood veneer with brass legs.

Antique Box from the Early '900 Various Essences Inlays Plants
OGANOG0196475

Antique Box from the Early '900 Various Essences Inlays Plants

Italy Early 1900s

OGANOG0196475
Antique Box from the Early '900 Various Essences Inlays Plants

Italy Early 1900s

Box in various types of wood. On the lid inlay with mythological figures inside reserve with leafy scrolls and plant motifs.

Ancient Tray Torchiana & Loda Milan '900 Silver Leafy Volutes
OGANOG0195980

Ancient Tray Torchiana & Loda Milan '900 Silver Leafy Volutes

Italy, XX Century

OGANOG0195980
Ancient Tray Torchiana & Loda Milan '900 Silver Leafy Volutes

Italy, XX Century

Silver tray with a smooth bottom and a rim decorated with engraved leafy scrolls and a wavy edge worked with a chisel. Hallmark of the silver and silversmith engraved under the base. Grams 292.

Ancient Bowls F. Cappelli Florence 1930s-40s Silver Engraved Brand
OGANOG0196788

Ancient Bowls F. Cappelli Florence 1930s-40s Silver Engraved Brand

Italy, 1930s-1940s

OGANOG0196788
Ancient Bowls F. Cappelli Florence 1930s-40s Silver Engraved Brand

Italy, 1930s-1940s

Twelve handwashing bowls in silver. Incussi hallmark of the silver and silversmith on the edge. Grams 1145.

Vintage Scarf Salvatore Ferragamo Pure Silk Decoration with Dogs
ABVI1P0196169

Vintage Scarf Salvatore Ferragamo Pure Silk Decoration with Dogs

ABVI1P0196169
Vintage Scarf Salvatore Ferragamo Pure Silk Decoration with Dogs

Scarf in pure silk signed Salvatore Ferragamo. On an antique pink background there are dogs that seem to be lying on a carpet. The condition of the silk is good, except for signs of use (halos).

Empire Cabinet Walnut Italy XIX Century
ANMOAM0148979

Empire Cabinet Walnut Italy XIX Century

Veneto First Fourth XIXth Century

ANMOAM0148979
Empire Cabinet Walnut Italy XIX Century

Veneto First Fourth XIXth Century

Empire cabinet supported by partially mutilated lion feet, on the front it has three drawers surmounted by an oval mercury mirror door, framed between a pair of truncated pyramidal pilasters with feet and female herms in gilded bronze, to support the undertop band slightly protruding into the which is a drawer. Veneered in cherry, the interiors are in walnut; marble top with gilt bronze rim.

Roberta di Camerino Red Velvet Bag
ABVI1P0196167

Roberta di Camerino Red Velvet Bag

ABVI1P0196167
Roberta di Camerino Red Velvet Bag

Handbag from the 70s in red, blue and green velvet by Roberta di Camerino, the first designer to apply the "trompe l'oeil" technique in the fashion world. The conditions are good, it has slight signs that do not preclude its use. Pretty rare item.

Ancient Double Bed Sheet '900 White Color Cross Stich MG
ABBIPR0197843

Ancient Double Bed Sheet '900 White Color Cross Stich MG

ABBIPR0197843
Ancient Double Bed Sheet '900 White Color Cross Stich MG

Double bed sheet Simple lapel with greek embroidery in satin stitch and encrypted "MG" Small spots of the time White color Linen composition Dimensions 272 x 192 cm

Vintage Sideboard Teak Veneer United Kingdom 1960s
MOMOMO0198069

Vintage Sideboard Teak Veneer United Kingdom 1960s

MOMOMO0198069
Vintage Sideboard Teak Veneer United Kingdom 1960s

Sideboard with hinged doors, flap with pull-out top, and visible drawers. Teak veneer wood.

Empire Cabinet Walnut Italy XIX Century
ANMOAM0148977

Empire Cabinet Walnut Italy XIX Century

Veneto First Fourth XIX Century

ANMOAM0148977
Empire Cabinet Walnut Italy XIX Century

Veneto First Fourth XIX Century

Empire cabinet supported by partially mutilated lion feet, on the front it has three drawers surmounted by an oval mercury mirror door, framed between a pair of truncated pyramidal pilasters, supporting the slightly projecting undertop band in which there is a drawer. Veneered in cherry, the interiors are in walnut; the marble top is missing; with modifications and replacements.

Group of 7 Neo-Renaissance Chairs Walnut Italy XIX Century
ANSESE0152958

Group of 7 Neo-Renaissance Chairs Walnut Italy XIX Century

Last Fourth XIX Century

ANSESE0152958
Group of 7 Neo-Renaissance Chairs Walnut Italy XIX Century

Last Fourth XIX Century

Group of seven Neo-Renaissance chairs, one of which is different, supported by legs of which the front ones are turned and carved, the seat is padded, as is the backrest, framed between two rudent pilasters, to support the half arch that acts as a coping, in the center of the which is a mask with feminine features. In walnut, some parts are gilded.

Neoclassical Style Desk Italy XX Century
ANTATA0149968

Neoclassical Style Desk Italy XX Century

Italy Early 20th century

ANTATA0149968
Neoclassical Style Desk Italy XX Century

Italy Early 20th century

Neoclassical style inlaid desk in exotic woods, Italy early 20th century. Drawer in the undertop band, truncated pyramidal legs ending with a spinning top foot. Entirely threaded and inlaid with neoclassical motifs, including an epic scene within a reserve in the center of the top. Top and fascia molding, collar and feet in ebonized wood.

Vintage Italian Table 1960s Teak Veneer Solid Wood
MOTATA0197051

Vintage Italian Table 1960s Teak Veneer Solid Wood

MOTATA0197051
Vintage Italian Table 1960s Teak Veneer Solid Wood

Extendable table with book opening in solid wood and teak veneer.

De Vecchi Silver Flask Italy XX Century
OGANOG0151091

De Vecchi Silver Flask Italy XX Century

20th Century / 1901 - 2000

OGANOG0151091
De Vecchi Silver Flask Italy XX Century

20th Century / 1901 - 2000

Hammered silver flask with chain held by small seahorse-shaped handles. On the belly decoration engraved with heraldic coat of arms. Under the silver brands base. Gr. 895.

Night Table Walnut Italy XVIII Century
ANMOCO0150066

Night Table Walnut Italy XVIII Century

Bergamo Early XVIII Century

ANMOCO0150066
Night Table Walnut Italy XVIII Century

Bergamo Early XVIII Century

Bedside table made by transforming a kneeler: the front pull-out platform has been replaced by shelf feet, on the front it has a door inlaid with "IHS" within a sun and accompanied by nails, while in the undertop band there is a drawer. In walnut, the carvings on the uprights were added later.

Vintage König Sculpture Turin 1936 Ceramic Earthenware Objects
OGMOOG0196421

Vintage König Sculpture Turin 1936 Ceramic Earthenware Objects

Italy, 1936

OGMOOG0196421
Vintage König Sculpture Turin 1936 Ceramic Earthenware Objects

Italy, 1936

Pottery statue formed by casting and decorated with polychrome enamels, Helen Koenig Scavini, for the Lenci manufacture. The Soldier's Wife, 1936, model 580. Manufacturer's mark under the base; signed by the artist.

Vintage Dress 50s-60s Size 14 Shantung Patterned with Leaves
ABVI1P0196100

Vintage Dress 50s-60s Size 14 Shantung Patterned with Leaves

Size 14

ABVI1P0196100
Vintage Dress 50s-60s Size 14 Shantung Patterned with Leaves

Size 14

Dress in cotton shantung printed with large leaves in shades of green, brown and yellow. The 50s line is tailored; it has long sleeves with buttons, a boat neck and a pleated skirt. Wears today's Italian size 44 (length 112 cm, shoulders 40 cm, waist 80 cm, sleeves 58 cm).

Buddha Sculpture Pink Asia XX Century
OGANOG0148945

Buddha Sculpture Pink Asia XX Century

20th Century / 1901 - 2000

OGANOG0148945
Buddha Sculpture Pink Asia XX Century

20th Century / 1901 - 2000

Pink marble sculpture depicting the head of Buddha.

Vintage Chairs by Paolo Buffa from the 1950s
MOSESE0144495

Vintage Chairs by Paolo Buffa from the 1950s

Contemporary Drawing F. Melotti 1984 Sketch on Paper Mixed Technique
ARARCO0190586

Contemporary Drawing F. Melotti 1984 Sketch on Paper Mixed Technique

ARARCO0190586
Contemporary Drawing F. Melotti 1984 Sketch on Paper Mixed Technique

Tempera, pencil and charcoal on paper. Signed on the back. The drawing is registered in the Archive Fausto Melotti with code DIS 84020. Fausto Melotti was a multifaceted and very prolific artist and it is almost impossible to link his production to a particular technique or theme, without providing only a partial view of his artistic vision. The salient features that are constant in Melotti are geometry, the study of abstraction, which leads him to use realistic but not scientifically accurate elements, and arranging the elements so that they recall a musical rhythm, a detail that refers to his training as a musician Sculptor, painter, musician, poet, he made numerous design drawings for his works. Drawing represented for him a fundamental exercise, to transfuse the original graphic trait from sheets of paper into sculptures and ceramics. The sculptures for which he is best known are made up of geometric elements made with metals (brass, iron and gold) worked into thin filaments, giving life to ethereal, weightless and almost fragile compositions. The work is presented in a frame.

Ink Drawing by Mario Sironi Figures Italy XX Century
ARARNO0190579

Ink Drawing by Mario Sironi Figures Italy XX Century

Two Figures

ARARNO0190579
Ink Drawing by Mario Sironi Figures Italy XX Century

Two Figures

India ink on paper. Signed lower right. Accompanied by authentication on photo by his wife Matilde Sironi dated September 1963 and by certificate on photo from the JA PF archive. with number 031 and data of the work. Mario Sironi dedicated himself a lot to drawing and figure study, and his production included many drawings, figure studies, sketches for subsequent paintings. All the power and expressive force of Sironi's bodies can already be seen in these drawings, whose mind, an incessant forge of ideas and projects often created on a large scale (he created numerous murals), often made use of makeshift paper supports to draw, even of small dimensions, on which he traced, in just a few centimetres, large projects, provocative ideas and poetic images. The work comes from an important Milanese private collection. It is presented in a frame.

Female Nude by Mario Sironi Pencil on Paper Italy
ARARNO0190578

Female Nude by Mario Sironi Pencil on Paper Italy

Female nude

ARARNO0190578
Female Nude by Mario Sironi Pencil on Paper Italy

Female nude

Pencil on paper. Signed lower right. Accompanied by authentication on photo by his wife Matilde Sironi dated September 1963 and by certificate on photo from the JA PF archive. with number 032 and data of the work. Mario Sironi dedicated himself a lot to drawing and figure study, and his production included many drawings, figure studies, sketches for subsequent paintings. All the power and expressive force of Sironi's bodies can already be seen in these drawings, whose mind, an incessant forge of ideas and projects often created on a large scale (he created numerous murals), often made use of makeshift paper supports to draw, even of small dimensions, on which he traced, in just a few centimetres, large projects, provocative ideas and poetic images. The work comes from an important Milanese private collection. It is presented in a frame.

Contemporary Drawing by F. Melotti Abstract Pencil on Paper 1972
ARARCO0190585

Contemporary Drawing by F. Melotti Abstract Pencil on Paper 1972

ARARCO0190585
Contemporary Drawing by F. Melotti Abstract Pencil on Paper 1972

Pencil on paper. Signed on the back. The drawing is registered in the Fausto Melotti Archive with code DIS 72010, showing the data of the work. Fausto Melotti was a multifaceted and very prolific artist and it is almost impossible to link his production to a particular technique or theme, without providing only a partial view of his artistic vision. The salient features that are constant in Melotti are geometry, the study of abstraction, which leads him to use realistic but not scientifically accurate elements, and arranging the elements so that they recall a musical rhythm, a detail that refers to his training as a musician Sculptor, painter, musician, poet, he made numerous design drawings for his works. Drawing represented for him a fundamental exercise, to transfuse the original graphic trait from sheets of paper into sculptures and ceramics. The sculptures for which he is best known are made up of geometric elements made with metals (brass, iron and gold) worked into thin filaments, giving life to ethereal, weightless and almost fragile compositions. The work is presented in a frame.