Di Mano in Mano

Contemporay Painting G. Migneco Fisherman Oil on Canvas

Fisherman

Contemporay Painting G. Migneco Fisherman Oil on Canvas

Fisherman

Oil painting on canvas. Signed lower right. On the back is a declaration of authenticity signed by the artist. Giuseppe Migneco, originally from Messina but who moved to Milan at a young age, was one of the major representatives, together with Aligi Sassu, Renato Birolli, Bruno Cassinari, Renato Guttuso, of the Corrente group open to the European artistic avant-garde. In favor of a painting of social commitment, he investigates reality with a critical, objective, historical eye. His characters with hard, square faces, marked by hard work and rendered in bright and strong tones, recall his Sicily with violent and clear features, but also the social realism of the Mexican muralists. The work is presented in a frame.

ANMOCR0222241

Ancient Double Top Cupboard with Rifle Rack XVIII Century Oak

Provence Last Quarter of the 18th Century

ANMOCR0222241

Ancient Double Top Cupboard with Rifle Rack XVIII Century Oak

Provence Last Quarter of the 18th Century

Double body Provençal sideboard, has two doors in the lower part and the same number on the upper part, to conceal a rifle cabinet. In walnut, the interiors are in oak.

MOMOMO0225707

Vintage 1960s Bedside Tables Laminate Walnut Italy

MOMOMO0225707

Vintage 1960s Bedside Tables Laminate Walnut Italy

Pair of bedside tables with hinged door, open compartment and drawer. Walnut veneer, laminate, metal legs.

ARARCO0222530

Contemporary Painting The Eye Rounds in Space 1968 Oil on Canvas

The Eye Rounds in Space 1968

ARARCO0222530

Contemporary Painting The Eye Rounds in Space 1968 Oil on Canvas

The Eye Rounds in Space 1968

Oil painting on canvas. Signed lower right. On the back there is the title, the date and a further signature to authenticate the work. Painter, poet and essayist, Virgilio Guidi always maintained a solitary, critical position and never one of absolute programmatic adhesion to the aesthetic dictates of the artistic movements and groups of the 20th century, even if he was always the bearer of significant personal contributions to new pictorial research . Starting from the 1940s, Guidi began to systematically develop the great cycles, with which he repeatedly investigated the same subject-composition nucleus, continuing to follow the common thread of all his art: light. His painting favored the choice of delicate tonal chords and the representation of figurative and landscape elements through abstract rhythms. This work belongs to the series created in the 1960s of " Tondi", with the subtitle "Eye in space". It is presented in a frame.

ANTACO0054523

Console Tuscany Italy Mid 19th Century

19th Century / 1801 - 1900

ANTACO0054523

Console Tuscany Italy Mid 19th Century

19th Century / 1801 - 1900

There are four uprights with beast-like feet set over a mixtilineal burl veneered top. The feet in front are curved and carved woth leaf-like spirals and the heads of monstrous animals. The nails and teeth are made of horn, while the eyes are painted; the uprights in the back are inlaid with carob tree wood. Those support the under-the-top band, veneered in feather. The white marble top supports a tilting mirror supported by four lion-like feet, with nails in horn and carved with leonine faces. The big shell in the centre and a pair of dolphins complete the structure of the console.

OGANOG0225336

Pair of Ancient Candlesticks Second Half XX Century Silver

Austria Hungary Second half of the 20th century

OGANOG0225336

Pair of Ancient Candlesticks Second Half XX Century Silver

Austria Hungary Second half of the 20th century

Pair of antique-style candlesticks in 835 silver finely chiselled with garlands, frets, bows and flowers. Silver marks engraved on the base. 1230 grams.

MOMOMO0224189

Vintage 1980s Cupboard Leather Poplar Italy

MOMOMO0224189

Vintage 1980s Cupboard Leather Poplar Italy

Cabinet with hinged doors, flap and visible drawers. Poplar plywood, natural and stained, leather handles.

OGANCE0225002

Ancient Tureen from the XVIII Century Monochrome Majolica Egg-Shaped

Souther-Central Italy XVIII Century

OGANCE0225002

Ancient Tureen from the XVIII Century Monochrome Majolica Egg-Shaped

Souther-Central Italy XVIII Century

Monochrome majolica tureen of ovoid shape with feral-shaped handles and feet. Lid socket with pomegranates.

ARARCO0225395

Contemporary Bas-Relief Silver Migneco Sardines Fishing

Sardines Fishing

ARARCO0225395

Contemporary Bas-Relief Silver Migneco Sardines Fishing

Sardines Fishing

Multiple bas-relief in silver. Signature engraved at the bottom. On the back, label of the "Alla Chiave" Gallery in Mestre, with the number of the specimen 140/200, and photo of the artist at work. Giuseppe Migneco, originally from Messina but who moved to Milan at a young age, was one of the major representatives, together with Aligi Sassu, Renato Birolli, Bruno Cassinari, Renato Guttuso, of the Corrente group open to the European artistic avant-garde. In favor of a painting of social commitment, he investigates reality with a critical, objective, historical eye. His characters with hard, square faces, marked by hard work and rendered with bright and strong tones, recall his Sicily with violent and clear features, but also the social realism of the Mexican muralists. In frame.

MOSESE0223310

Vintage 1960s Chair Maple Cloth Foam Padding

MOSESE0223310

Vintage 1960s Chair Maple Cloth Foam Padding

Chair with armrests. Stained maple wood, foam padding, fabric covering.

ARARNO0222370

Ancient Painting B. Azimonti Russia '900 Watercolour on Cardboard

Russia

ARARNO0222370

Ancient Painting B. Azimonti Russia '900 Watercolour on Cardboard

Russia

Watercolor on cardboard. Signed and located lower right. The Como painter Bruno Azimonti often reproduced in his works his tragic experience as a soldier in the Russian campaign, offering snowy views crossed by sleds, the troiche, dragged by horses in a fiery and desperate rush. Azimonti favored watercolor. The work is presented in a frame.

OGANOG0222293

Ancient Sculpture Female Nude Italy XX Century Stone Objects

Italy, XX Century

OGANOG0222293

Ancient Sculpture Female Nude Italy XX Century Stone Objects

Italy, XX Century

Stone sculpture depicting a female nude.

ANCOSP0222236

Small Ancient Mirror Baroque Venice Mid XVIII Century Wood

Venice, Mid XVIII Century

ANCOSP0222236

Small Ancient Mirror Baroque Venice Mid XVIII Century Wood

Venice, Mid XVIII Century

Mirror carved with rocaille motifs, lacquered and painted with floral and ribbon motifs. It features restorations and touch-ups.

OGANOG0065613

Sculpture of a Dog Italy 18th Century Black Serpentine Ancient Marbles

18th Century / 1701 - 1800

OGANOG0065613

Sculpture of a Dog Italy 18th Century Black Serpentine Ancient Marbles

18th Century / 1701 - 1800

Black and green serpentine marble sculpture representing a sitting dog. His face's expression, his neck, his pose and his pows highlight the perfect sculpting skills of the artist. In history of art dog represent happyness. Alredy Plinio said that the dog along with the horse is the most loyal animal and man's companion.

ARARCO0222556

Painting by Remo Brindisi

Venice

ARARCO0222556

Painting by Remo Brindisi

Venice

Oil painting on canvas. Signed lower right. On the back further signature with declaration of authenticity. It is the work of the important Italian painter Remo Brindisi (1918-1996) whose painting, linked in his youthful works to a descriptive and realistic framework, adds expressionist nuances in his maturity, giving life to his own neofigurative language. His production is always imbued with social and political intentions. Among his recurring themes, in addition to "Pastorals" and "Opponents", there are the "Venices", dreamlike representations of the lagoon city. The work is presented in a frame.

ARARNO0222374

Ancient Painting A. Del Bon Red Roses 1945 Oil on Canvas Painting

Red Roses, 1945

ARARNO0222374

Ancient Painting A. Del Bon Red Roses 1945 Oil on Canvas Painting

Red Roses, 1945

Oil painting on canvas. Signed lower right. On the back of the frame there is the title and date. Angel Del Bon stood out for his peculiar technique, which involved the application of a consistent layer of zinc white on the canvas, subsequently proceeding with pure color mixtures and scrapings to let the preparation emerge from the background. Del Bon obtained works of absolute clarity and brightness, accentuated by the use of pastel shades, which characterized his paintings from 1933 onwards. He mainly painted Lombard landscapes; in 1941 he began the series of still lifes and flowers, to which this work belongs. Presented in a frame.

ARARCO0223193

Painting by Ernesto Treccani

Face

ARARCO0223193

Painting by Ernesto Treccani

Face

Oil painting on canvas. Signed lower right. Ernesto Treccani, founder of the Treccani Institute, is remembered for his uninterrupted human and artistic commitment, characterized by a tireless action to spread culture and artistic debate, by a concrete adherence to life situations and by a profound love for men and things. All of Treccani's painting and art aim to break down the separation between himself and the world, between feeling and form, between the idea and imaginative expression. They have said of his art that it is "a search for the soul of things rather than their phenomenal consistency". This presented is one of the multiple faces painted by Ernesto Treccani, a population of faces painted over the course of over five years as a progressive addition and elaboration of nuclei of images, from time to time suggested by meetings, places, public and private occasions, experiences policies and work; all the faces are of people known to the artist: friends, family, comrades from the North and the South, depicted in an attempt to identify them and characterize them psychologically through colour. Work in frame.

ARARCO0222557

Painting by Remo Brindisi

Maternity

ARARCO0222557

Painting by Remo Brindisi

Maternity

Oil painting on canvas. Signed lower right. On the back further signature with declaration of authenticity. It is the work of the important Italian painter Remo Brindisi (1918-1996) whose painting, linked in his youthful works to a descriptive and realistic framework, adds expressionist nuances in his maturity, giving life to his own neofigurative language. His production is always imbued with social and political intentions. Among his recurring themes, in addition to "Pastorals", "Opponents", the "Venices", there are these "Maternities", depictions of two faces close together, that of a mother and a son about to exchange a tender kiss. Work in frame.

ARARCO0223110

Contemporary Painting S. Terruso Still Life Oil on Canvas

Still Life

ARARCO0223110

Contemporary Painting S. Terruso Still Life Oil on Canvas

Still Life

Oil painting on canvas. Signed lower right. On the back the title and declaration of authenticity signed by the artist. Saverio Terruso, a painter of essentially Mediterranean temperament, culturally and emotionally linked to his homeland, Sicily, includes among his production a wide range of works that aim to convey the authentic charm of a rural world that is now on the verge of disappear permanently; in them mainly rural characters are represented, such as farmers with caps, at work or in a restaurant, or melancholic women locked in their shawls, bent over their daily activities at home, or protagonists of processions. His painting is characterized by rather dramatic tones, with strong distorting tensions and very bright and often contrasting colours. This work proposes a less frequent subject, a still life, but retains the reference to peasant life in the choice to reproduce the vegetables typical of the peasant table (turnips, pumpkin, cabbage, garlic), in the characteristic style of Terruso, both in the chromatic choices than in the representative mode. The work is presented in a frame.

ARARCO0222376

Contemporary Painting P. Grossi Still Life 1977 Oil on Hardboard

Still Life, 1977

ARARCO0222376

Contemporary Painting P. Grossi Still Life 1977 Oil on Hardboard

Still Life, 1977

Oil on hardboard. signed and dated lower right. On the back there is a label from the artist's studio with the data of the work. An artist from Parma who also lived for a long time in Milan, Proferio Grossi created numerous still lifes, paintings of objects in which he sought the aesthetic sense, which he also alternated with abstract painting. This composition belongs precisely to the figurative line, a linear and orderly composition, both in the placement of objects and in the color choices of everyday objects. In frame.

ARARNO0216548

Painting Landscape with Ruins and Figures

ARARNO0216548

Painting Landscape with Ruins and Figures

Oil painting on canvas. Old-fashioned painting that takes up the forms of 17th-18th century painting, in particular it looks at architectural caprices, or landscape views with inserted architectural elements, remains or ruins that look to the classical world. Set along a sea coast, with figures of fishermen on their boats and commoners along the brambles, the painting is dominated by the remains of a temple, with tall columns and a golden statue on a high pedestal. The painting has a small drop of color in the center, and a scratch on the canvas on the left. It is presented in a contemporary carved wooden frame.

OGANCE0225300

Pair of Pharmacy Pourers with Lid Late XIX Century Majolica

Central Italy, Late XIX Century

OGANCE0225300

Pair of Pharmacy Pourers with Lid Late XIX Century Majolica

Central Italy, Late XIX Century

Pair of pharmacy pourers with majolica lid, fake marbling decoration in shades of blue on a white background and brown writing. Saddled side handle and spout with mask.

ARARCO0224459

Contemporary Silkscreen Tateishi Tiger A Point 1973 Print on Paper

A Point 1973

ARARCO0224459

Contemporary Silkscreen Tateishi Tiger A Point 1973 Print on Paper

A Point 1973

Silkscreen on paper. Signed lower right, serial number N.37100 lower left, title in the centre. Work by the Japanese artist Tateishi Tiger, initially the author of avant-garde painting that earned him recognition as a pioneer of Japanese pop art, and subsequently the author of manga and illustrations. Tateishi lived for a long time in Italy, as a painter, draftsman, architect, and also as a designer for Olivetti. The work is presented in a frame.

OGANOG0080855

Table Clock Bronze France XIX Century

19th Century / 1801 - 1900

OGANOG0080855

Table Clock Bronze France XIX Century

19th Century / 1801 - 1900

Table clock in bronze with dark and gilded patina. Two cherubs seated and intent on writing flank the clock. The enameled metal display with Roman numeral hours is enclosed within a gilt bronze wreath. At the top there is a statue of an emperor; the crown, the ermine cloak, the stick with the blessing hand are a strong reference to the figure of Napoleon the Emperor. The widespread burin processing should be highlighted.

Contemporay Painting G. Migneco Fisherman Oil on Canvas

Ancient Double Top Cupboard with Rifle Rack XVIII Century Oak

Vintage 1960s Bedside Tables Laminate Walnut Italy

Contemporary Painting The Eye Rounds in Space 1968 Oil on Canvas

Console Tuscany Italy Mid 19th Century

Pair of Ancient Candlesticks Second Half XX Century Silver

Vintage 1980s Cupboard Leather Poplar Italy

Ancient Tureen from the XVIII Century Monochrome Majolica Egg-Shaped

Contemporary Bas-Relief Silver Migneco Sardines Fishing

Vintage 1960s Chair Maple Cloth Foam Padding

Ancient Painting B. Azimonti Russia '900 Watercolour on Cardboard

Ancient Sculpture Female Nude Italy XX Century Stone Objects

Small Ancient Mirror Baroque Venice Mid XVIII Century Wood

Sculpture of a Dog Italy 18th Century Black Serpentine Ancient Marbles

Painting by Remo Brindisi

Ancient Painting A. Del Bon Red Roses 1945 Oil on Canvas Painting

Painting by Ernesto Treccani

Painting by Remo Brindisi

Contemporary Painting S. Terruso Still Life Oil on Canvas

Contemporary Painting P. Grossi Still Life 1977 Oil on Hardboard

Painting Landscape with Ruins and Figures

Pair of Pharmacy Pourers with Lid Late XIX Century Majolica

Contemporary Silkscreen Tateishi Tiger A Point 1973 Print on Paper

Table Clock Bronze France XIX Century

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