Di Mano in Mano

Still life painting with Pumpkins and Birds

ARARPI0208656

Still life painting with Pumpkins and Birds

Oil painting on canvas. The composition proposes two game birds, resting on a surface together with two pumpkins. Restored and relined, the painting has several small drops of color, prevalent along the left and right margins. It is presented in a stylish frame.

ARAROT0211598

Painting Female Figure with Mask Oil on Canvas Italy XIX Century

ARAROT0211598

Painting Female Figure with Mask Oil on Canvas Italy XIX Century

Oil painting on canvas. This portrait of a woman dressed in a very abundant dress that hides her shapes and with her face covered by a black mask is curious: the visible portion of the face suggests a young and smiling face, the furtive attitude of one who tries to hide behind the heavy marquee, suggests a joke in progress, in theme with a party, a pleasure-loving moment. The painting is presented in a coeval frame.

ARAROT0210783

Wooden Triptych with Virgin Mary and Angels Italy XIX Century

ARAROT0210783

Wooden Triptych with Virgin Mary and Angels Italy XIX Century

Panel paintings. Three painted wooden panels are placed in a carved and gilded wooden frame. The triptych is part of the large production of the late 1800s which resumed and re-proposed the medieval style, seen as a representation of purity and innocence, and therefore re-proposed as a model to imitate. Furthermore, it was only in the 19th century that restoration began to think in a historical perspective, trying to reintegrate the missing parts of the ancient works according to the style that it was believed could be the original one. The triptych presented here dates back to the end of the 14th-beginning of the 15th century: at the top center, the carving of the frame reproduces the Florentine coat of arms of the Medici family, corresponding in number of bezants (or balls) to the reign of Cosimo the Elder (1389 - 1464). In the three panels are depicted: in the center the Madonna with Child, similar in pictorial ways to the production of Sassetta (1392 -1450); on the sides two musician angels, one who sings with the text of the song in his hand, the other who accompanies him with the lute. The plates and the frame have small losses and falls of the colour.

OGANOG0210213

Ancient Tray with Flower Decorations Europe XIX--XX Century

Europe Late 1800s Early 1900s

OGANOG0210213

Ancient Tray with Flower Decorations Europe XIX--XX Century

Europe Late 1800s Early 1900s

Silver tray with smooth bottom and wavy edge with embossing and chiselling. Decoration with scrolls and floral motifs. On the sides, sculptures depicting cherubs. Under the base engraved silver and silversmith's mark. Unidentified silversmith. Grams 1180.

MOMOLI0207712

Vintage Bookcase Teak Veneer Italy 1960s

MOMOLI0207712

Vintage Bookcase Teak Veneer Italy 1960s

Bookcase with storage elements with sliding doors and "engraved" panels in teak veneered wood.

MOCOCO0213212

Vintage Wall Mirror by Veca Metal Glass Italy 1960s

MOCOCO0213212

Vintage Wall Mirror by Veca Metal Glass Italy 1960s

Wall mirror in enamelled metal with mirrored and smoked glass.

ARARNO0212450

Painting by L. Tommasi Oil on Wooden Board Italy XIX-XX Century

Little Girl

ARARNO0212450

Painting by L. Tommasi Oil on Wooden Board Italy XIX-XX Century

Little Girl

Oil on the table. On the back there are traces of the signature and two labels from Art galleries, the Bottega d'arte of Livorno and the Galleria Manzoni of Milan, bearing the name of the author, the title and the technical data of the work. Livornese by birth, Ludovico Tommasi was trained near the Macchiaioli current, developing a strong sensitivity for color, which led him to create realist works pervaded by harmonious chromatisms. The work is presented in a stylish frame.

ARAROT0211600

Painting Landscape by Gottardo Valentini Oil on Hardboard XIX Century

Figure in Landscape

ARAROT0211600

Painting Landscape by Gottardo Valentini Oil on Hardboard XIX Century

Figure in Landscape

Oil on wooden board. Barely visible signature lower left. Gottardo Valentini, from Milan, dedicated himself almost exclusively to landscape painting, painting landscapes, often from Lombardy (snowy woods, autumn countryside) characterized by a late-romantic sensibility. Also in this landscape, a vast open countryside with the horizon reaching far to merge with the sky, the indistinct figure folded in on itself, alone near the pond, evokes a feeling of solitude, of pain, which the gray atmosphere , almost gloomy of the surrounding landscape, accompanies and underlines. The work is presented in a late 19th century frame.

ARARPI0129988

The Visitation Oil on Canvas Venetian School Italy XVIII C

ARARPI0129988

The Visitation Oil on Canvas Venetian School Italy XVIII C

Oil on canvas. Venetian school. The scene, inspired by the Gospel of Luke, describes the visit made by Mary, already pregnant with Jesus, to her cousin Elizabeth, who in turn awaits the birth of her son John, the future Baptist. The meeting between the two women also corresponds to the meeting between the two unborn children and the anticipation of the recognition of Jesus the Savior, with John leaping in his mother\'s womb when he hears Mary speak, who recites the beautiful prayer in thanksgiving. of the Magnificat. The two spouses attend the scene, the old Zacharias, husband of Elizabeth and Joseph, husband of Mary. Of great scenic impact, the scene is set in a building with columns; the figures are in motion, bodies and gazes cross and intertwine; the bright colors help to create brightness and lightness. The restored and relined painting is presented with a thin gilt frame.

ANMOAL0210768

Ancient Clock George III Mahogany Maple England '700-'800

England Late 18th – Early 19th Century

ANMOAL0210768

Ancient Clock George III Mahogany Maple England '700-'800

England Late 18th – Early 19th Century

George III pendulum clock veneered in mahogany and mahogany feather, England late 18th - early 19th century. Featuring a large metal display with Arabic numerals and chiselled metal hands, painted with a hunting scene within a landscape in the central section and four female virtues at the corners; pair of globes-terraques and phases of the moon in the upper part. Structure embellished by six fluted columns, borders, reserves inlaid in maple and painted maple depicting shells and floral elements and by a pair of black lacquered reserves with gilded phytomorphic decorations placed at the top. Blown glass, fir interior. Dial signed "Parkinson Whitehaven".

ANSESE0209346

Group of 8 Chairs in Mahogany Padded Seats England XX Century

England, XX Century

ANSESE0209346

Group of 8 Chairs in Mahogany Padded Seats England XX Century

England, XX Century

Group of eight mahogany chairs, England 20th century. Open backrest, turned front legs. Upholstered seats.

OGANOG0211561

Pair of Torch Holders Craved Wood '800

Europe Early 1800s

OGANOG0211561

Pair of Torch Holders Craved Wood '800

Europe Early 1800s

Pair of Empire torch holders in carved wood, gilded with mecca and gold leaf. Recently electrified.

ANCOSP0211169

Ancient Eclectic Toilet Mirror Gilded and Carved Wood

Italy Mid 19th Century

ANCOSP0211169

Ancient Eclectic Toilet Mirror Gilded and Carved Wood

Italy Mid 19th Century

Eclectic vanity mirror in carved and gilded wood, Italy mid-19th century. Decorated with three foliaceous applications arranged along the perimeter of the oval frame, the latter supported by a base carved with acanthus leaves, triage reserves and central shell. Mirror replaced.

MOMOMO0212477

Vintage Chest of Drawers Teak Veneer Brass Italy 1960s

MOMOMO0212477

Vintage Chest of Drawers Teak Veneer Brass Italy 1960s

Chest of Drawers in teak veneered wood, wooden legs with brass tips.

ARARPI0210825

The Three Sisters Oil on Canvas Northern Europe '800

ARARPI0210825

The Three Sisters Oil on Canvas Northern Europe '800

Oil painting on canvas. Northern European school of the 19th century. Family portrait of three girls, whose marked resemblance in facial features, smile and witty and mischievous gaze, is underlined by the almost identical clothes they wear, whose bright colors enliven the scene and on which the laces of the necklines stand out, exquisitely painted; the youngest in the center, still a child, has a slightly less worked dress and a less elaborate hairstyle, in keeping with her age. The painting is presented in a late 19th century frame that has been adapted and regilded.

ANCOSP0207535

Golden Mirror in Baroque Style

Italy Late 19th - Early 20th Century

ANCOSP0207535

Golden Mirror in Baroque Style

Italy Late 19th - Early 20th Century

Mirror in carved and gilded wood in Baroque style, Italy, late 19th - early 20th century. Cimasa composed of a coat of arms depicting a pair of flowers with five superimposed petals, surmounted by the "Corno Ducale", headgear worn by the Doges of Venice. At the upper extremities there are two bare-chested female figures placed sideways, while at the lower extremities a pair of seated lions, always represented in profile. The perimeter decoration is completed by large carved acanthus leaves, partly constituting a development of the aforementioned figures. In the innermost section of the frame there are curl, foliaceous and anthemium motifs. regilded.

ANMOAL0207405

Liberty Hanging Mailbox

Naples Early 20th century

ANMOAL0207405

Liberty Hanging Mailbox

Naples Early 20th century

Art Nouveau mailbox, made of chestnut and mahogany, Naples, early 20th century. Front with brass characters applied to form the word "POSTA", six letter compartments with metal front, lower section with flap drawers. Bottom drawer lock missing. A similar post office box is present at Palazzo Mannajuolo in Naples, a historic Art Nouveau residence located in via Filangieri, in the Chiaia district.

ARARPI0132735

Oil on Canvas Historical Subject Italy XVIII Century

ARARPI0132735

Oil on Canvas Historical Subject Italy XVIII Century

Oil painting on canvas. The wide view of the Imperial Forums of Rome is part of the vast landscape production of the Grand Tour period, intended for wealthy European aristocrats traveling to Europe - and in particular in Italy, where Rome was considered a must - who wanted a souvenir of the places visited. The Roman Imperial Forums are an architectural complex consisting of a series of monumental buildings and squares, the center of political activity in ancient Rome, built over a period of about 150 years, between 46 BC. and 113 A.D. Despite the enlargements, the fires, the restorations and the reconstructions, during the Antiquity the Imperial Forums kept intact both their architectural conformation and their function. Their almost definitive destruction occurred during the Renaissance at the hands of Pope Julius II (1503-1513), who used the whole area as a quarry for materials to be reused in the building and artistic renovation of the city he initiated. The protests of leading artists such as Raphael and Michelangelo were of little use. In the following centuries various excavation campaigns were undertaken, with greater vigor starting from the nineteenth century, but the area was completely excavated at the beginning of the twentieth century and the ancient architecture was almost completely erased to make room for the construction of via dei Fori Imperiali , which connects Piazza Venezia with the Colosseum. The Forum was rediscovered starting from the sixteenth century also thanks to the Roman view painters who at that time loved to paint the ruins emerging in the pasture area. The view proposed here presents the Imperial Forums before the excavations begun in the nineteenth century, when the road that still crosses them had not yet been built: they are still surrounded by green countryside and the Roman hills stand out in the background. Restored and relined, the painting is presented in a re-adapted 19th century frame.

ARARPI0057117

Saint Francis Oil on Canvas Center-Italian School 18th Century

ARARPI0057117

Saint Francis Oil on Canvas Center-Italian School 18th Century

Oil on canvas. Center-Italian School. The Saitn from Assisi is represented while contemplating the Crucifix as he was traditionally portraited, itinerant in the Umbrian countryside. The painting had already been restored but need to be clean. Displayed in an ancient frame.

MOCOCO0210195

Mirror from the 50s and 60s

MOCOCO0210195

Mirror from the 50s and 60s

Mirror with gilt wood frame and mirrored glass with decorations.

ANMOCO0208511

Pair of Umbertini Piemonte bedside tables

Piedmont Late 19th Century

ANMOCO0208511

Pair of Umbertini Piemonte bedside tables

Piedmont Late 19th Century

Pair of mahogany veneered Umbertini bedside tables, Piedmont, late 19th century. Tops with recessed white marble, front with drawer in the band and door, rounded uprights, top-shaped feet. Decorated with frames and mahogany feather reserves. Walnut, cherry and poplar interiors.

MOTATA0207388

Pair of Coffee Tables Metal Brass Glass Italy 1980s

MOTATA0207388

Pair of Coffee Tables Metal Brass Glass Italy 1980s

Pair of side tables in enamelled metal, brass and glass.

ARAROT0212457

Watercolor Painting by Pompeo Mariani Italy XIX-XX Century

Park

ARAROT0212457

Watercolor Painting by Pompeo Mariani Italy XIX-XX Century

Park

Watercolor on paper. Signed lower right. On the back there is a label from the Manzoni Art Gallery in Milan, with the data of the work. A leading exponent of 19th-century Lombard painting which was always linked to the love for the real, Pompeo Mariani was also called "the Italian impressionist", due to the influence in his works of French impressionism and those experiences, not only cultural, which constituted the era of the Belle Époque, which the artist lived between Milan, Bordighera, Nice and Montecarlo. In this small watercolor Mariani offers a glimpse of a city park, adorned with statues along the gate. The painting is presented in a period frame.

OGANOG0211085

Petrified Wood Slab with Various Minerals

OGANOG0211085

Petrified Wood Slab with Various Minerals

Petrified wood slab in various colors of minerals. In the slow process of demineralization the organic materials have been replaced by minerals present in the soil.

Still life painting with Pumpkins and Birds

Painting Female Figure with Mask Oil on Canvas Italy XIX Century

Wooden Triptych with Virgin Mary and Angels Italy XIX Century

Ancient Tray with Flower Decorations Europe XIX--XX Century

Vintage Bookcase Teak Veneer Italy 1960s

Vintage Wall Mirror by Veca Metal Glass Italy 1960s

Painting by L. Tommasi Oil on Wooden Board Italy XIX-XX Century

Painting Landscape by Gottardo Valentini Oil on Hardboard XIX Century

The Visitation Oil on Canvas Venetian School Italy XVIII C

Ancient Clock George III Mahogany Maple England '700-'800

Group of 8 Chairs in Mahogany Padded Seats England XX Century

Pair of Torch Holders Craved Wood '800

Ancient Eclectic Toilet Mirror Gilded and Carved Wood

Vintage Chest of Drawers Teak Veneer Brass Italy 1960s

The Three Sisters Oil on Canvas Northern Europe '800

Golden Mirror in Baroque Style

Liberty Hanging Mailbox

Oil on Canvas Historical Subject Italy XVIII Century

Saint Francis Oil on Canvas Center-Italian School 18th Century

Mirror from the 50s and 60s

Pair of Umbertini Piemonte bedside tables

Pair of Coffee Tables Metal Brass Glass Italy 1980s

Watercolor Painting by Pompeo Mariani Italy XIX-XX Century

Petrified Wood Slab with Various Minerals

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