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Painted with Interior Scene with Figure
ARAROT0212472

Painted with Interior Scene with Figure

ARAROT0212472
Painted with Interior Scene with Figure

Watercolor on paper. Inside a simple room, in front of the fireplace, a female figure lies on a chair with her eyes closed (asleep or in interior recollection?), whose clothes in the red and blue colors typical of the sacred Marian symbology, stand out in the almost monochromatism of the furnishings; from the window on the left enters a beam of light that crosses the room and radiates on the figure, illuminating it. Maybe an Annunciation? The work is presented in a period frame.

Style cockpit armchair
ANSESE0211087

Style cockpit armchair

Italy Early 20th Century

ANSESE0211087
Style cockpit armchair

Italy Early 20th Century

Classic style cockpit armchair in mahogany veneer, Italy early 20th century. Wavy structure, characterized by an open back with a double order of central folders. Decorated with reserves veneered in exotic wood, phytomorphic and foliaceous inlays in maple and bakelite worked with the burin and with bakelite threading. Padded seat.

Vintage Bed Exotic Wood Veneer Italy 1960s
MOCOCO0213210

Vintage Bed Exotic Wood Veneer Italy 1960s

MOCOCO0213210
Vintage Bed Exotic Wood Veneer Italy 1960s

Double bed in exotic wood veneered wood. Good conditions

Ancient Round Table Mahogany Exotic Woods United Kingdom '800
ANTATA0209148

Ancient Round Table Mahogany Exotic Woods United Kingdom '800

Early Victorian England

ANTATA0209148
Ancient Round Table Mahogany Exotic Woods United Kingdom '800

Early Victorian England

Round sail table in mahogany and exotic wood veneer, England Mid 19th century. Top with sailing movement, resting on a turned and carved baluster in the lower section. Trilobate base with pine cone feet and wheels.

Portrait of a Young Woman Oil on Canvas Italy 1666
ARARPI0132179

Portrait of a Young Woman Oil on Canvas Italy 1666

ARARPI0132179
Portrait of a Young Woman Oil on Canvas Italy 1666

Oil on canvas. Lombard school of the seventeenth century. A smiling young girl is portrayed in an elegant black dress, embellished with lace on the neckline and a play of red and green laces and ribbons on the sleeves, which match the red embroidered petticoat; she wears her jewels around her neck, wrists, ears, in the hairstyle of her hair, where the austerity of pearls is lightened by colored ribbons; she holds a bouquet of flowers in her hand, which emphasizes her gracefulness and grace. Restored and relined, on the second canvas there is written, probably a copy of the original on the first canvas, which indicates who the young woman is: \\\"Margh.a D. Gridonia Gonz. Agnella - Soada Maffei - D\\\'etta Anni XVIII\\\", followed by a coat of arms with the initials C FAS This writing, in addition to defining the name and age, highlights the young woman\\\'s belonging to the College of the Virgins of Jesus in Castiglione delle Stiviere, founded in 1608 by the Marquise Guidonia Gonzaga together with the two sisters Cinzia and Olimpia, all nephews of San Luigi Gonzaga. This college had the purpose of imparting an education to young noblemen or young people from good families, who, with the dowry donated to the college, contributed to the sustenance of the same. The portrait has minor flaws. It is presented in an ancient, non-coeval frame, with small shortcomings.

Painting of L. Bazzaro Maiden Oil on Canvas 1874
ARAROT0212466

Painting of L. Bazzaro Maiden Oil on Canvas 1874

Portrait of a Maiden 1874

ARAROT0212466
Painting of L. Bazzaro Maiden Oil on Canvas 1874

Portrait of a Maiden 1874

Oil painting on canvas. On the lower right there is the monogram LB, on the back the full signature and the date. Milanese by birth and training, Leonardo Bazzaro is considered a lively exponent of Lombard impressionism, dedicated to chromatic and luministic research. His very fruitful production of works was dedicated in the early years to Milanese interiors, but then attracted by open-air painting, he moved to landscape views and in particular he was attracted by the color of the Venetian lagoon, which led him to stay for a certain period in Chioggia. This face of a girl, a youthful work by the artist, only twenty-one years old, already highlights Bazzaro's ability to render color and light, which gives intensity to the absorbed expression of the young woman. The work is presented in a late 19th century frame.

Group of 4 Baroque Chairs Walnut Padded Seat Italy '700
ANSESE0209658

Group of 4 Baroque Chairs Walnut Padded Seat Italy '700

Italy, First Quarter of the XVIII Century

ANSESE0209658
Group of 4 Baroque Chairs Walnut Padded Seat Italy '700

Italy, First Quarter of the XVIII Century

Group of four different walnut chairs, Italy first quarter of the 18th century. Spool legs and crosspieces. Upholstered backrests and seats.

Ancient Clock Rococo Style Gilded Bronze Italy XX Century
ANMOST0207746

Ancient Clock Rococo Style Gilded Bronze Italy XX Century

Italy 20th century

ANMOST0207746
Ancient Clock Rococo Style Gilded Bronze Italy XX Century

Italy 20th century

Rococo style pendulum clock, made of carved, lacquered, painted and gilded MDF, Italy 20th century. Metallic display with Roman numerals, protected by glass inserted within gilt bronze profiling. Decorated with rocaille elements, curls and leafy scrolls; painted floral elements.

Contemporary Painting by A. Carminati 1970s Nude with Barrier
ARARCO0212585

Contemporary Painting by A. Carminati 1970s Nude with Barrier

Nude with barrier 1970

ARARCO0212585
Contemporary Painting by A. Carminati 1970s Nude with Barrier

Nude with barrier 1970

Oil painting on canvas. On the back present signature, title and date. Also present are the stamps of the Bellini studio, interior designer. Caminati was a Genoese artist who loved to experiment, passing from social realism of denunciation (he was a partisan of the Second World War), to a painting close to pop-art, to then return to hyper-realism. He also experimented with different techniques and materials, and was an excellent ceramist. This work belongs to his pop period of the 1970s, a period in which the artist also revisited some masterpieces of art history: a naked female body lying on a sheet, probably part of a famous work of art , is semi-hidden under a red barrier, which deprives the figure of any identity. The work has a scratch and a slight tear in the centre, in need of restoration.

Ancient Coat Rack in Thonet Style Beech Austria XIX-XX Century
ANMOAL0208280

Ancient Coat Rack in Thonet Style Beech Austria XIX-XX Century

Austria Late 19th – Early 20th Century

ANMOAL0208280
Ancient Coat Rack in Thonet Style Beech Austria XIX-XX Century

Austria Late 19th – Early 20th Century

Thonet-type coat rack in bent beech wood, Austria, late 19th - early 20th century.

Ancient Modular Container A. Castelli for Kartell Plastic 1960s
MOCOCO0207731

Ancient Modular Container A. Castelli for Kartell Plastic 1960s

MOCOCO0207731
Ancient Modular Container A. Castelli for Kartell Plastic 1960s

Modular container with sliding door opening in plastic material.

Garden Scuplture with Putto, Stone, Italy 19th Century
ANTPIE0000243

Garden Scuplture with Putto, Stone, Italy 19th Century

19th Century / 1801 - 1900

ANTPIE0000243
Garden Scuplture with Putto, Stone, Italy 19th Century

19th Century / 1801 - 1900

Ornamental sculpture made with Stone from Vicenza representig a putto that is bringing a shell to his ear with both his hands. Hi's naked and partially covered by a fluttering drapety held by a crossbody band.

Painting by T. Pellicciotti Bagpipe Player Oil on Cardboard
ARARNO0212451

Painting by T. Pellicciotti Bagpipe Player Oil on Cardboard

Bagpipe player

ARARNO0212451
Painting by T. Pellicciotti Bagpipe Player Oil on Cardboard

Bagpipe player

Oil on cardboard applied to canvas. Signed lower right. Tito Pellicciotti, originally from Abruzzo, was trained at the Academy of Fine Arts in Naples under the guidance of Filippo Palizzi, from whom he derived his attention to animal figures, which he reproduced both in the calm of the stable and free and grazing. He also paid attention to the rural world of his land by representing rustic and stable interiors, peasants and shepherdesses, as well as tavern interiors animated by popular figures and "en plein aire" glimpses of the street with onion sellers, itinerant musicians and umbrella sellers with pipes fumigants; and still pastoral caravans, hunting scenes and some delicate maternities. This little picture fits well into Pellicciotti's typical production: inside a tavern a bagpiper player is performing, accompanied by his little son on the zufolo. The work is presented in a period frame.

African Hangings Brass 20th Century
ANTOGG0001904

African Hangings Brass 20th Century

20th Century / 1901 - 2000

ANTOGG0001904
African Hangings Brass 20th Century

20th Century / 1901 - 2000

engraved brass hanging storaged in a framed with glass from the Horn of Africa.

Enea's escape from Troy Oil on Canvas 17th Century
ARARPI0057135

Enea's escape from Troy Oil on Canvas 17th Century

ARARPI0057135
Enea's escape from Troy Oil on Canvas 17th Century

Oil on canvas. The whole scene played on the chiaroscuro of black and red with high flames that blazing between towers and peaks of the cyty: in the frontground Enea and his father Anchises' figures with his son Ascanio next to him while running away from the city; on the right, in the background, Trojan horse. Even if the subject is close to the one of Alessio De Marchis (1684-1752), the painting in question is closer to the femish painting. Restored and displayed in an ancient frame.

Painted with Pastoral Scene Oil on Canvas XVIII Century
ARARPI0210823

Painted with Pastoral Scene Oil on Canvas XVIII Century

ARARPI0210823
Painted with Pastoral Scene Oil on Canvas XVIII Century

Oil painting on canvas. In a rather barren and rocky landscape, near a thin stream, a herd of goats grazes: in the foreground, to dominate the scene, some goats, still and statuesque. The work imitates in the style of the subject the production of Philipp Peter Roos, known as Rosa da Tivoli (1655 -1706), who stood out for his interest in the depiction of animals portrayed from life, in particular for the large production of scenes pastorals with flocks, characterized by the earthy colour. Restored and relined, the painting is presented in a late 19th - early 20th century frame.

Ancient Baroque Frame Gilded and Painted Wood Italy XVIII Century
ANCOSP0207565

Ancient Baroque Frame Gilded and Painted Wood Italy XVIII Century

Central Italy Third Quarter XVIII Century

ANCOSP0207565
Ancient Baroque Frame Gilded and Painted Wood Italy XVIII Century

Central Italy Third Quarter XVIII Century

Carved, lacquered and mecca-gilded linden and pine baroque frame, central Italy, third quarter of the 18th century. Decorated at the ends of each corner and in the middle of each side with rocaille and cartouche carvings. External ivory lacquered shell, carved and blue lacquered interior to emulate sea waves. Breakages and shortcomings.

Pair of Thrones Solid Walnut Poplar Late 1600s
ANTSED0001125

Pair of Thrones Solid Walnut Poplar Late 1600s

17th Century / 1601 - 1700

ANTSED0001125
Pair of Thrones Solid Walnut Poplar Late 1600s

17th Century / 1601 - 1700

A pair of thrones, solid walnut with support panels, poplar seat and back. Turned arms. Carved band on the front. Back with carved flames. Leather upholstery with studs on the front. Restored. Manufactured in Italy, late 17th century.

Antique Painting with Still Life and Goldfinch Oil on Canvas '700
ARARPI0132207

Antique Painting with Still Life and Goldfinch Oil on Canvas '700

ARARPI0132207
Antique Painting with Still Life and Goldfinch Oil on Canvas '700

Oil painting on canvas. Italian school of the eighteenth century. Rich composition with basin full of variegated flowers, fruit bowl with peaches, a cut pumpkin and a goldfinch that picks grains from the bunch of grapes placed on the table. It is part of that vast production of composite still lifes which in the eighteenth century, deprived of any allegorical or symbolic meaning, was purely aimed at a decorative purpose; he took up multiple, composite, lively inanimate objects, often flanked by a living element, an animal like the goldfinch in this work, which maintained the link with life and everyday life. Restored and relined, the painting is presented in a period frame.

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Pair of Vases J. Petit Attr. Porcelain France XIX Century
ANTCER0000773

Pair of Vases J. Petit Attr. Porcelain France XIX Century

19th Century / 1801 - 1900

ANTCER0000773
Pair of Vases J. Petit Attr. Porcelain France XIX Century

19th Century / 1801 - 1900

Pair of narrow-necked flask-shaped vases on an octagonal base; two winged dragons form the handles of the vessels; on the front, enclosed within a crown of flowers, there are the two reserves painted with gallant scenes of oriental taste, depicting Arabs in palm gardens. The body of the vase sees the alternation of blue and red bands, with golden embroidery. The plastic dimension is entrusted to the flowers and to dragons, the first paintings while the latter are gilded.

Pair of Vintage Chairs Beech Italy 1950s-60s
MOSESE0211651

Pair of Vintage Chairs Beech Italy 1950s-60s

MOSESE0211651
Pair of Vintage Chairs Beech Italy 1950s-60s

Pair of chairs in stained beech wood with foam padding and skai upholstery.

Group of 6 Chairs in Neoclassical Style Italy XX Century
ANMOST0205409

Group of 6 Chairs in Neoclassical Style Italy XX Century

Italy 20th century

ANMOST0205409
Group of 6 Chairs in Neoclassical Style Italy XX Century

Italy 20th century

Group of six gondola chairs in neoclassical style veneered in various essences, Italy 20th century. Decorated with neoclassical maple inlays, including phytomorphic elements, scrolls and ribbons. Borders and threads complete the decorative apparatus.

Small Neo-Classical Table Walnut Olive Italy 18th Century
ANTATV0078773

Small Neo-Classical Table Walnut Olive Italy 18th Century

18th Century / 1701 - 1800

ANTATV0078773
Small Neo-Classical Table Walnut Olive Italy 18th Century

18th Century / 1701 - 1800

Small piacentine neo-classical table supported by 4 pyramidal-truncated legs narrowerd on top and with plinth-shaped feet. Walnut with olive threadings; the top is inlaid with a central marple rosewindow and leafy elements at the corners. It had been restored.

Portrait of a Dame Oil on Canvas Italy XVIII Century
ARARPI0212468

Portrait of a Dame Oil on Canvas Italy XVIII Century

ARARPI0212468
Portrait of a Dame Oil on Canvas Italy XVIII Century

Oil painting on canvas. Portrait of a young lady wearing lace and jewels, with a particular black pom-pom to close the white tulle cape on her breast, and with her head covered by a delicate black veil, from which emerges an elaborate hairstyle on the forehead, it seems thin pigtails. Restored and relined, the painting is presented in a period frame.